The Australian Securities and Investments Commission (ASIC) had a meeting with Soundwave Festival creditors on October 7th to detail the money creditors believe Soundwave acts are owed. Music Feeds AU has a list of money owed in $AUD. The current exchange rate is about $0.71 USD to $1 AUD.
Soundgarden — $2,132,075.00
Faith No More — $751,076.20
Marilyn Manson — $588,000.56
Slash — $484,628.00
The Smashing Pumpkins — $1,267,446.43
Incubus — $571,428.58
All Time Low — $141,144.70
Animals as Leaders — $16,607.14
Antemasque — $138,721.43
Apocalyptica — $65,601.90
Area-7 — $7,594.20
Atreyu — $52,044.64
Coldrain — $16,270.50
Crossfaith — $25,431.55
Deathstars — $17,500.00
Dragonforce — $21,000.00
Emily’s Army — $19,185.29
Escape the Fate — $21,985.68
Falling In Reverse — $54,064.98
Fall Out Boy — $394,107.14
Fear Factory — $78,263.96
Fucked Up — $24,779.40
Gerard Way — $89,510.75
Godflesh — $33,314.00
Godsmack — $200,000.00
Hollywood Undead — $65,183.54
Judas Priest — $349,560.55
Killer Be Killed — $24,513.00
Lagwagon — $30,274.52
Lamb of God — $161,323.33
Live Nation Worldwide, Inc — $1,180,325.56
Lower Than Atlantis — $18,800.06
Millencolin — $91,874.50
Ministry — $203,952.01
Monuments — $19,153.00
Ne Obliviscaris — $5,720.60
New Found Glory — $43,279.88
Nonpoint — $8,137.54
Nothing More — $35,000.00
Of Mice and Men — $29,040.00
Papa Roach — $93,050.93
Patent Pending — $22,000.00
Sleepwave — $17,470.35
Slipknot — $1,645,299.29
Steel Panther — $92,517.57
The Aquabats — $32,787.26
The Color Morale — $11,464.58
The Interrupters — $20,231.14
The Raglans — $11,059.82
The Swellers — $21,412.24
The Treatment — $8,193.74
The Vandals — $57,142.86
Tonight Alive — $38,500.00
Twin Atlantic — $20,154.85
As we close 2015, it was quite depressing putting together the ‘Top 10 Rock Songs Of 2015’ list. There just wasn’t a lot this year to get too excited about. But when it comes to 1995, it was easy to put together a Top 95 Rock Songs of 1995 list. Check out some of the greatest rock songs of 1995, in mostly random order (barring some of the top choices). Thanks to Alternative Nation reporter Greg Prato for contributing songs to this list.
95. Red Hot Chili Peppers – “Tearjerker”
94. The Smashing Pumpkins – “Jellybelly”
93. Alice In Chains – “Over Now”
92. The Smashing Pumpkins – “Fuck You (An Ode To No One)
91. Mad Season – “Lifeless Dead”
90. Foo Fighters – “Floaty”
89. Filter – “Dose”
88. Sleater-Kinney – “Sold Out”
87. No Doubt – “Spiderwebs”
86. The Rentals – “Friends of P”
85. Silverchair – “Israel’s Son”
84. Radiohead – “My Iron Lung”
83. Radiohead – “High and Dry”
82. The Smashing Pumpkins – “Porcelina of the Vast Oceans”
81. Alice In Chains – “Sludge Factory”
80. Mad Season – “I’m Above”
79. The Verve – “History”
78. Supersuckers – “Bad, Bad, Bad”
77. No Doubt – “Sunday Morning”
76. 311 – “Don’t Stay Home”
75. Primus – “Southbound Pachyderm”
74. Kyuss – “One Inch Man”
73. Morrissey – “The Boy Racer”
72. Mad Season – “Long Gone Day”
71. The Verve – “This Is Music”
70. Truly – “Blue Flame Ford”
69. Soul Asylum – “Misery”
68. Everclear – “Santa Monica”
67. The Magnificent Bastards – “Mockingbird Girl”
66. Wilco – “Box Full of Letters”
65. Mudhoney – “1995”
64. Collective Soul – “The World I Know”
63. Collective Soul – “Smashing Young Man”
62. Sonic Youth – “The Diamond Sea”
61. Slash’s Snakepit – “Beggars & Hangers-On”
60. Local H – “Cynic”
59. Red Hot Chili Peppers – “Warped”
58. Ben Folds Five – “Underground”
57. Ben Folds Five – “Jackson Cannery”
56. Ben Folds Five – “Where’s Summer B?”
55. Morphine – “Honey White”
54. Morphine – “Super Sex”
53. Faith No More – “Digging the Grave”
52. Mr. Bungle – “Chemical Marriage”
51. Faith No More – “Ricochet”
50. Mr. Bungle – “Carry Stress in the Jaw”
49. Faith No More – “Evidence”
48. Mr. Bungle – “Desert Search for Techno Allah”
47. David Bowie – “The Heart’s Filthy Lesson”
46. Meat Puppets – “Scum”
45. Morrissey – “Dagenham Dave”
44. Kyuss – “Hurricane”
43. Faith No More – “Cuckoo for Caca”
42. Meat Puppets – “Taste of the Sun”
41. Meat Puppets – “For Free”
40. Primus – “Wynona’s Big Brown Beaver”
39. 311 – “Down”
38. Primus – “Professor Nutbutter’s House of Treats”
37. Collective Soul – “December”
36. PJ Harvey – “Down by the Water”
35. Spacehog – “In the Meantime”
34. Garbage – “Only Happy When It Rains”
33. No Doubt – “Don’t Speak”
32. Radiohead – “Fake Plastic Trees”
31. Bender – “Headless Soldier”
30. Blind Melon – “2 X 4”
29. The Smashing Pumpkins – “Thirty-Three”
28. No Doubt – “Just a Girl”
27. Foo Fighters – “Exhausted”
26. Neil Young & Pearl Jam – “Peace & Love”
25. Mad Season – “I Don’t Know Anything”
24. Blind Melon – “Galaxie”
23. Radiohead – “Just”
22. Oasis – “Don’t Look Back In Anger”
21. Green Day – “Brain Stew”
20. The Smashing Pumpkins – “Zero”
19. Foo Fighters – “This Is A Call”
18. Silverchair – “Tomorrow”
17. Bender – “Rope”
16. Blind Melon – “Toes Across The Floor”
15. The Smashing Pumpkins – “Muzzle”
14. Mad Season – “Wake Up”
13. Oasis – “Wonderwall”
12. Alice In Chains – “Grind”
11. Red Hot Chili Peppers – “Aeroplane”
10. The Smashing Pumpkins – “Bullet With Butterfly Wings”
Alternative Nation released its top 10 rock albums of the year just a couple of weeks ago, but that list was voted by readers. Below is a list of the top 10 rock songs of 2015, as selected by Alternative Nation owner Brett Buchanan and reporters Jeff Gorra, Mike Mazzarone, and Elias Fulmer.
10. Failure – “Hot Traveler” (The Heart is a Monster)
Brett Buchanan: Loyal readers Felonious Punk and J mentioned this album in the comments section when we recently did our Album of the Year poll, and it made me go back and revisit it. “Hot Traveler” is definitely the standout with its plodding grungy riff.
9. Dead Sara – “Something Good” (Pleasure To Meet You)
Brett Buchanan: Dead Sara returned with their second album earlier this year, and the standout track by far is definitely “Something Good.” The track has that classic California summertime feel, with a standout performance from lead singer Emily Armstrong.
8. Cage The Elephant – “Cold Cold Cold” (Tell Me I’m Pretty)
Mike Mazzarone: I could list ANY track from Tell Me I’m Pretty, they are all simply amazing songs. From the “Eleanor Rigby” inspired “Sweetie Little Jean”, the “Something” inspired “Trouble,” to the infamous “Mess Around”. When I first heard the album I had a sinking feeling it would be all Black Keys soundalike tracks. However, that wasn’t the case at all. “Cold, Cold, Cold” has pure 60’s flair.
I could imagine Bob Dylan belting out the “Oh no ain’t it a drag” part, and there are huge David Bowie influences as well. It’s just a fantastic album. I’m not sure if it’s their best effort, especially in comparison to Melophobia, but like Doug McCausland said in our review of Tell Me I’m Pretty – I don’t care! This is a band that everyone should get into, and hear their albums all the way though. They are one of the best acts in modern rock, and they are here to stay.
7. Foo Fighters – “The Never Ending Sigh” (Saint Cecilia EP)
Jeff Gorra: This song just rocks. It’s simple and catchy. It feels like this song in particular captures the vibe of exactly what the Foos did with this surprising EP. I just imagine sitting on the porch of that hotel with beer bottles, hearing this song being jammed.
6. The Arcs – “Stay In My Corner” (Yours, Dreamily)
Brett Buchanan: Black Keys frontman Dan Auerbach released a new album this year with his new side project band The Arcs, and “Stay In My Corner” is just as great as any recent Black Keys hit. The soulful blues ballad is definitely the highlight of the album, with the lyrics telling a love story with the backdrop of boxing.
5. Chris Cornell – “Nearly Forgot My Broken Heart” (Higher Truth)
Jeff Gorra: It’s signature Cornell, exploratory and courageous all at the same time. It also has the flexibility to plug into multiple genres.
4. Marilyn Manson – “Third Day Of A Seven Day Binge” (The Pale Emperor)
Mike Mazzarone: After a string of meh to forgettable albums it was Manson who in early 2015 decided to reinvent himself as this gritty, Mark Lanegan sounding rocker. The result? Pale Emperor and it’s hit single “Third Day Of A Seven Day Binge”. I knew this album was going to make or break the recording future for Manson as he, up to that point hasn’t put anything really up to scratch since 2000’s Holy Wood. After a string of “meh” albums, it was time for a release like this and Manson defied any expectations.
3. Eagles of Death Metal – “I Love You All the Time” (Zipper Down)
Elias Fulmer: Now the most well known track from the Eagles of Death Metal’s 2015 Zipper Down, the song’s jangly glam rock stands in defiance of the face of terrorism, with ISIL assaulting the Bataclan where Eagles of Death Metal played on November 13th. It has spun a campaign for other artists to cover it, with the proceeds going to the Sweet Stuff Charity.
2. Faith No More – “Superhero” (Sol Invictus)
Brett Buchanan: While “Motherfucker” was Faith No More’s official comeback single, “Superhero” is really the fitting reintroduction to the band after a 18 year hiatus from recording. The infectious piano chords throughout the song really drive the song, and Mike Patton somehow manages to conjure of the dark spirit of the 90’s without sounding like he’s trying to, unlike some of his contemporaries.
1. Scott Weiland – “Circles” (Blaster)
Brett Buchanan: “Circles” unfortunately ended up being the bookend to legendary Stone Temple Pilots frontman Scott Weiland’s 23-year studio discography. Guitarist Jeremy Brown kept it simple with with the musical arrangement, playing a memorable riff throughout the song. When it came to vocals, Scott Weiland went back to the country music he grew up listening, with one of his most memorable melodies in recent memory. Weiland’s lyrics are beautifully haunting, but with a sense of hope, like many of his greatest songs.
Nearly 10,000 Alternative Nation readers voted, and we now have the Top 10 Rock Albums of 2015!
10. Kurt Cobain – Montage of Heck: The Home Recordings
It’s basic, low-fi, and stripped down to the bare bones. It’s raw! The Montage of Heck soundtrack companion jumps straight into Cobain’s psyche. From the opening strumming and mumbles on “The Yodel Song,” to the ever-angelic, elongated, work-in-progress take of “Do Re Mi,” the album is a trip inside of Cobain’s creative process.
It feels exactly like you’re in the room with Kurt, as he’s practicing the chords, tuning the guitar, or just goofing off with one of his voices for comedy. In conclusion, Montage Of Heck: The Home Recordings (Deluxe Ed.) is exactly what any hardcore Nirvana/ Kurt Cobain fan would love, to understand the creative process – along with the film, of Kurt Cobain. (Full review)
9. Dead Sara – Pleasure To Meet You
Dead Sara returned with their second album Pleasure To Meet You earlier this year, featuring the triumphant but tragic “Suicidal,” the California rocker “Something Good,” and Grunge tinged “Mona Lisa.”
8. Puscifer – Money Shot
While Tool fans anxiously await for what is becoming their version of Chinese Democracy, Maynard James Keenan kept rolling with Puscifer’s Money Shot. The video for the title track perfectly encapsulates the appeal of the album, bring a sense of attitude and heaviness, but juxtaposing it with the absurdity of Luchadores fighting in a bar.
7. Chris Cornell – Higher Truth
Chris Cornell went back to basics with Higher Truth, stripping away the Timbaland beats and synth found on 2009’s Scream. The album was very much in the same vein as his recent Songbook shows, with an adult contemporary stripped down sound that sounds very age appropriate. “Dead Wishes,” a song that analyzes the psyche of homeless people, is one of Cornell’s better tracks he has recorded in the last several years. (Full review)
6. John Frusciante – Renoise Tracks 2009-2011
Some complained of 2015’s Trickfinger as underdeveloped and bare bones. Those tracks were made in 2007-2008 and it in the following years, 2009-2011 worked on these tracks and there is a supreme difference. With clips of audio from different media, it almost feels like a movie. It is awesome to see Frusciante progress like this and I can only imagine what his work sounds like today, the work he has been working on this year. He evolved a lot from Trickfinger to Renoise, what will the coming work sound like? Frusciante easily could become a hit in the underground electronic scene, he seems to take a lot of good element from those scenes and makes it exclusively his own. (Full review)
5. Eagles of Death Metal – Zipper Down
Zipper Down is their fourth studio album, and it has been seven years since the last. This time, original members Jesse Hughes (on the album cover referred to as Boots Electric) and Josh Homme (Baby Duck) do everything themselves without help from additional musicians, which is not necessarily a bad thing. The album hit the right spot immediately.
The first track, ”Complexity”, captures the spirit of EoDM: funky, uptempo and fun. ”Silverlake”, ”Got a Woman” and ”Got the Power” follow the same pattern, while ”I Love You All The Time” is a slower song that is, as the title suggests, full of love. ”Skin-Tight Boogie” is a groovy kind of rap, featuring Hughes’ girlfriend Tuesday Cross on backing vocals. (Full review)
4. Foo Fighters – Saint Cecilia (EP)
Foo Fighters surprised fans last month with a new EP recorded in Austin, Texas. The eponymous “Saint Cecilia” kicks off the E.P. with the “comfort food” side of the Foos familiar in tunes like “Walk” and “Learn to Fly”, with layered vocals from Dave Grohl accompanying a country/heartland melody. “Sean”, the shortest and fastest tune of the release clocking in at 02:11, captures a pop-punk vibe in the verses punctuated by a simple chorus hook consisting of a noodly riff and shouts of “Sean!”.
“Savior Breath” fuses the Foos’ Washington D.C. hardcore punk roots with Motorhead; it’s one of the group’s heaviest songs, right up there with “White Limo” off of 2011’s Wasting Light. Dave Grohl’s solo is one of the most memorable out of his recent output. “Iron Rooster” is the slow acoustic ballad here, capturing a bit of a Pink Floyd-vibe in Dave Grohl’s vocals and loose guitar solos. (Full review)
3. Scott Weiland & The Wildabouts – Blaster
Editor’s pick for best album of the year:Blaster was Scott Weiland’s first album of original material in 5 years, and he hadn’t lost a step creatively. On the album Weiland hit melodic highs, and his lyrics were as beautiful, dark, and abstract as ever. “Amethyst” is one of the album’s highlights, a throwback to Purple era Weiland, featuring Jeremy Brown’s greatest guitar solo on the album.
In the one of the album’s most powerful songs, “Parachute,” Weiland sang about seeing through the eyes of love: ‘Catch you when you’re fallin’/Even when you’re not/I’ll see you through the eyes of love/Even when you’re crawlin’/Even when you’re fallin’/I’ll be your parachute, hold you up.’ The song feels like a spiritual successor to “Dare If You Dare,” with a feeling of frenetic euphoria driving the ending.
“Circles” ended up being the bookend to Weiland’s discography with his death just a few weeks ago, and it will definitely end up going down as one of his most underrated tracks. The country tinged ballad has themes of love, desperation, but also a feeling of hope sprinkled throughout it. (Full review)
2. Marilyn Manson – The Pale Emperor
For this LP, the non-conventional approach at first seemed to convey a somewhat underwhelming experience, yet with time, a more detailed and expansive sound was revealed on tracks like “Warship My Wreck,” “Slave Only Dreams to be King,” and “The Devil Beneath My Feet.” The current singles are not the strongest released in his catalog, but still provides a heavy edge. In conclusion, The Pale Emperor is a significant milestone in Marilyn Manson’s musical career as he takes a step farther in a dark, melodic direction. (Full review)
1. Faith No More – Sol Invictus
Faith No More live reunions have been on and off since 2009, but the large gap of time between an official album release had lead the quirky, alternative rock community to borderline hopeless until more recently. Marked as their seventh album in the discography, Sol Invictus, clearly had a reputation to live up to.
On the album, Faith No More still have the means of creating enjoyable tracks that mediate between a mainstream sound and avant-garde. Although it is clear which songs will fall through the cracks with time, a few tracks plus the singles are deserving of high praise and allow this album to serve as a solid return to the rock world after eighteen years. (Full review)
If you try and describe Faith No More’s blend of music, it’s beyond certain that lead singer Mike Patton will go and screw up your theory with their next release. FNM have been tearing up the rock n’ roll rule book ever since they formed over 30 years ago. They have a guy on drums, Mike Bordin to you, The Puff to band members, who thrashes his sticks every night like it’s his final show. And on guitar Jon Hudson has riffs that make his guitar literally bleed. On bass Billy Gould always seems like he’s having the most fun out of everyone, and on keyboards is the ever lovable Roddy Bottum. Vocals are managed by the one and only Mike Patton. He has to have one of the greatest vocal ranges in music history. He can go from death metal, to funk, jump to rap and then 70’s soul without missing a beat.
The band continued to inspire with each new record, and after they split in 1998 it seemed that we had witnessed the last of their crazy antics. However, a decade later they reformed without promising us too much, and certainly with no commitment to the immediate future. But all that changed after the band released their new album this year, Sol Invictus. It was warmly met and meshed well with some of their great past records into one without giving up the individuality of what Sol Invictus was all about. The record was followed by a European festival tour and a U.S. tour, amongst other shows, and everything was deemed a huge success. Faith No More still have the gift that has been embedded in them since the 1980’s.
The Sol Invictus tour looks like a wrap for this year, and with FNM you never know what will happen next. Hopefully they will stick together and manage their solo careers at the same time. Next year offers no plans of more shows, but you never know. However, to celebrate what may be the end of their latest tour, here is a list of the 10 greatest Faith No More songs ever recorded. Now there are a couple of rules. The first is that no songs have been included that are on movie soundtracks or B-sides, just studio releases. Trust me, putting together a top 10 list of their songs has been a difficult task, without the added problems of some of their glorious non studio tracks. The second rule is that all songs must have been originally recorded by Mike Patton. Sure Chuck Mosley is well loved and for good reason, but we have to remember that Mike has really shaped this band and has been the lead singer now for 26 years.
10. SEPARATION ANXIETY (Sol Invictus)
Arguably the best song on the band’s latest record, “Separation Anxiety” is in your face and is a real throwback to the Angel Dust days of Faith No More. Bottums’ ghostly keyboards, Patton’s high voice and Hudson’s guitar, which feels for the most part like a spinning wheel into a downward spiral, is spot on. The song has featured in almost all of their 2015 live shows.
9. HELPLESS (Album of the Year)
Album of the Year, which would be Faith No More’s final studio recording up until this year’s Sol Invictus, was recorded at bassist Billy Gould’s home studio. The album received mixed reviews when released, but it has slowly garnered acclaim through the years. “Helpless” is arguably the stand out track, however even though it was suggested as a single release, that never came to fruition as the band would break up in 1998, the following year.
Helpless tells of somebody that feels utterly alone in the world and just wants someone to notice them. Patton sings” “I even tried to get arrested today, but everyone looked the other way.” Helpless was never going to be radio friendly with a whistle as a chorus and a scream from Patton of ‘HELP’ repeatedly which ends the song. However it is an outstanding song that unlike some of the other tracks on the album has stood the test of time.
8. THE GENTLE ART OF MAKING ENEMIES (King for a Day, Fool for a Lifetime)
This song is all about two moments: The opening guitar riff change, with due credit to then guitarist Trey Spruance, who never toured with the band for this record, but was part of the recording process. Then of course there are the many changes in Patton’s voice. The softly spoken deep laconic tone at the songs beginning, followed by the demon like possessed Patton half way through the song. Then another shift in tone when we get to the fourth verse where Patton sounds more recognizable. This song live is one of the band’s many highlights and usually creates a pit of some kind. The very first lyrics are open to interpretation of course, but the following: “The words are so familiar all the same greats, the same mistakes it doesn’t have to be like this”, seem very relevant to Kurt Cobain who of course committed suicide just a year before this record came out in 1995.
7. THE REAL THING (The Real Thing)
Considered a classic song and played hundreds of times, usually as a show opener, “The Real Thing” is a monster. Starting off incredibly slowly and silent, the song grows and grows until it builds into a frenzy, but never gets completely going and isn’t meant to. It is what you want it to be but could well be described as a personal achievement or finding something in your life that is pure and authentic. However the most surprising aspect of “The Real Thing” is its lyrics. Deep, meaning and poetic may sound cliché, but when you consider that Patton was just 21 years of age it is a surprise because it feels as if it has been written by a person twice his age.
6. JUST A MAN (King for a Day, Fool; for a Lifetime)
The final track to be heard on King for a Day, “Fool for a Lifetime” would throw fans a little, with a slow beginning and Patton almost singing us a lullaby. But just when the verse repeats and we aren’t expecting a chorus, the song goes through one of the mighty middle 8’s and gives us one. “And every night I shut my eyes so I don’t have to see the light shining so bright I’ll dream about a cloudy sky, a cloudy sky.” The song at that point turns into one of FNM’s most special, perhaps most accessible songs for newcomers in their back catalogue. The song finished off complete with a backed choir as it finally just fades out. “Just a Man” has proved to be a crowd favorite for many years and still, after 20 years is played.
5. EPIC (The Real Thing)
The song that launched the Patton era of Faith No More, and spearheaded the band into everyone’s living rooms via MTV. The video seen today looks goofy, and the band have moved a million miles away from the tune that is “Epic.” However, the song has remained a rock classic. It’s like a huge piece of bubblegum and energy that resists to be stopped. “Epic” is the one staple song that is always played during live shows. And it’s particularly interesting to see how Patton changes up the vocals on the song, but with Hudson replicating that Jim Martin riff so well, it is a song that cannot be turned into anything else. It will always be “Epic.” A head banger’s wet dream, but this song sums up the band perfectly when the end comes by way of Roddy Bottom’s dreamy piano outro.
4. CRACK HITLER (Angel Dust)
Crack Hitler starts off like the opening to a 1970’s cop show and then hits us with that familiar keyboard, Bordin then kicks in with the sticks and Patton sounds almost inaudible until the chorus. “He’s the one no doubt walking on a tightrope.” The song is based on a drug dealer that the band knew. Billy Gould once said, “Crack Hitler is about this drug baron who takes Crack and compares himself with Hitler, because he commands enough depended people. So he thinks he’s the biggest one…you know what’s funny about all this? His skin is not even white! He’s colored and he thinks he’s Hitler? We all laughed a lot about him, so we had to dedicate him a song.”
3. MIDLIFE CRISIS (Angel Dust)
The Puff’s drums in the intro are one of the most recognizable moments in rock music from the 1990’s. Quickly followed by Gould’s bass, “Midlife Crisis,” which appeared on Angel Dust, is perhaps the most radio friendly song on the album. So it was no surprise that this song was given a single release and a video to boot. Arguably “Midlife Crisis” contains the band’s most catchy chorus and is always a crowd favorite and thus a staple of the bands setlists each night.
2. CAFFEINE (Angel Dust)
One of the heaviest songs on the Faith No More back catalogue, Jim Martin’s guitar, which was held back for much of Angel Dust, gets to rip here, and he doesn’t let this opportunity go to waste. Patton screams, and Gould, Bordin and Bottum hold the groove together. “Caffeine” was written during Patton’s sleep deprivation experiment whilst writing lyrics for this album. A firm non believer in hard drugs, a route that Patton could have easily chosen, the only drug choice for him was, and is, Caffeine.
1. EVERYTHING’S RUINED (Angel Dust)
The highlight of a superb album, “Everything’s Ruined” can be interpreted to mean a number of things. One theory is that the song is about capitalism and families in particular who push their young kids on to the career ladder before they can experience their youth. Patton’s soul destroying lyrics at the end don’t have a happy ending either: “But he made us proud, he made us rich but how were we to know, he’s counterfeit now everything’s ruined.” The video to the song couldn’t be any more different to the lyrical content, with the band messing around in front of a screen showing random pictures. That is until you stop and think that videos back in the day cost around $250,000 to make. Capitalism? The band went the other way and made the cheapest looking video in their career.
Billboard Boxscore(via Metal Injunction) has reported recent gross sales for Alice In Chains, Smashing Pumpkins, Marilyn Manson, Faith No More, and Melvins concerts. You can see the numbers below!
Artist: Alice In Chains
Venue: Oakland, CA – The Fox Theater
Date: Jul. 24th, 2015
Gross Sales: $138,600
Attendance/Capacity: 2,800 / 2,800
Ticket Prices: $49.50
Artist: Alice In Chains
Venue: Nashville, TN – Ryman Auditorium
Date: Aug. 07th-08th, 2015
Gross Sales: $265,077
Attendance/Capacity: 4,506 / 4,506
Ticket Prices: $59.50, $49.50
Artist: The Smashing Pumpkins & Marilyn Manson
Venue: Las Vegas, NV – The Joint
Date: Jul. 10th, 2015
Gross Sales: $313,578
Attendance/Capacity: 4,136 / 4,136
Ticket Prices: $200, $135, $75, $59.50
Artist: Faith No More & Napalm Death
Venue: Austin, TX – Austin Music Hall
Date: Jul. 26th, 2015
Gross Sales: $165,937
Attendance/Capacity: 3,250 / 3,250
Ticket Prices: $52.50, $49.50
Artist: Melvins & Le Butcherettes
Venue: Chicago, IL – Double Door
Date: Jul. 08th, 2015
Gross Sales: $13,750
Attendance/Capacity: 550 / 550
Ticket Prices: $25
Alternative Nation attended a Smashing Pumpkins and Marilyn Manson concert last month. Read our review below!
Smashing Pumpkins and Marilyn Manson performed at the Verizon Wireless Amphitheater in Irvine, CA last night for their second End Times tour show, and Alternative Nation was in attendance to review and photograph the concert.
Marilyn Manson went on at 8PM sharp, kicking off with “Deep Six.” Manson was very talkative during his hour long set, at one point explaining that his coat ‘cost him a blowjob.’ He also gave a shout out to his father, and then he started talking about a doctor who said he was crazy, but that crazy is good. He later talked about being a sinner, and said if he couldn’t be the devil he would join him by sin. He said he did not get beaten up by the devil, and that he also could not reach up and punch God. He then said, “If you want to say fuck Jesus, make it personal.” This led right into a cover of Depeche Mode’s “Personal Jesus.” He wore an American flag on his head during the “Personal Jesus” cover. He also thanked god for doing good and bad.
He also proclaimed, “People thought I was sarcastic when I said it, but rock ain’t fucking dead” leading into “Rock is Dead.” I read through all of these notes on Manson’s on stage banter to a couple of fans and to Alternative Nation reporter Elias Fulmer, and they seemed impressed that I managed to write all of this down in my iPhone notepad. Apologies for any inaccuracies.
Manson’s voice was strong for his heavy rockers like “Disposable Teens” and his scream sounded strong as ever. His voice was hit and miss during some more melodic verses with some mumbling, but his unique (and bizarre) rock and roll swagger made up for it. “The Dope Show” was definitely the highlight of his set.
In between Manson and The Smashing Pumpkins I picked up some food and saw a rogue bunny running around the venue. There was also a cute kitty cat on my Smashing Pumpkins photo pass that I hope to get signed someday by Billy Corgan’s cat Mr. Thom. Or maybe Diamond Baby? Or Angel Face? Tough choice. I need to make the puuuuurfect pick. Our reporter Elias then gave a letter he wrote to Billy Corgan to a security guard, who claimed Billy got it. We’re fully expecting a response letter to publish on Alternative Nation.
The Pumpkins, with Jimmy Chamberlin back in the fold, went on at just after 9:30. I had previously seen The Smashing Pumpkins 4 times (September 2007 on the Zeitgeist tour, December 2008 on the 20th anniversary tour, and October 2012 on the Oceania tour), and with all due respect to Mike Byrne, the Pumpkins did not have the same sense of power the time I saw them in 2012 without Jimmy Chamberlin. While the Pumpkins’ 2008 show I saw (one of their last with Chamberlin at the time) featured some ridiculous stuff like a 20 minute Pink Floyd cover and a kazoo encore, Corgan and Chamberlin’s chemistry somehow made it work (except for the fans in the audience who just wanted to hear “The World Is A Vampire” on repeat).
The set kicked off with three hits: “Cherub Rock,” “Bullet With Butterfly Wings,” and “Tonight, Tonight.” Corgan thanked the audience and said, “As you know the more I talk, the worse it gets, so I’m just going to play music tonight.” The setlist featured many hits from the band’s career mixed in with new songs, and this was a very smart move. Corgan has challenged audiences in the past by playing 30 minute jams (“Gossamer”) and debuting a new album live front to back (Oceania), and while those were brave endeavors, it seems like the Pumpkins found the right mix setlist wise with this show to please an amphitheater/arena audience, while avoiding becoming a nostalgia act like most non-Pearl Jam Grunge bands have become. Corgan played several seminal hits while also working in the best new songs from Monuments to an Elegy. The mix really worked when “Run2Me” and “1979” were played back to back. The songs compliment each other, and surrounding newer songs with hits that are in the same sonic range really seemed to help the newer songs fit seamlessly into the set. “One and All” also had a lot of passion, with Jimmy Chamberlin really pushing Corgan. Corgan’s vocals in general were on point the entire show, even moreso than the other times I’ve seen.
Jeff Schroeder ripped during the “Ava Adore” solo. Schroeder has really grown into becoming a key part of the band, so much so that I don’t see why anybody would want James Iha to return to replace him. James was a key part of the original lineup’s chemistry, but Jeff Schroeder is the best guitar player The Smashing Pumpkins can have in 2015. His chemistry he has built with Corgan in the last 8 plus years was apparent during the acoustic “Landslide” cover, and the track was one of the highlights of the show.
The new, somewhat poppier version of “The Everlasting Gaze” was another highlight, it really breathed new life into a 15 year old song, and made it work in a way where Corgan didn’t have to try and scream constantly pretending like he was still 30. The chemistry of the band’s new lineup (Corgan, Schroeder, Chamberlin, and bassist Jack Bates) really blossomed during “Thru the Eyes of Ruby.” “United States” closed the main set, and it was further proof that Jimmy Chamberlin is still the greatest drummer in the world. It might have been the loudest song I’ve ever heard at the Verizon Wireless Amphitheater in Irvine.
The band then returned for the encore, and Billy Corgan introduced his bandmates. He joked that after “1979” was performed, the Laker fans left (the Los Angeles Lakers are an NBA basketball team for readers who don’t follow sports). He then clarified that he meant ‘the third quarter Laker fans,’ and not all Laker fans. Corgan then said he was going to make a Deandre Jordan joke (Jordan is a Los Angeles Clippers player), but he was deciding against it. He then joked that Jordan had signed with his hometown Chicago Bulls, in reference to Jordan recently backing out of a deal with the Dallas Mavericks. Corgan then said Marilyn Manson isn’t a sports fan, followed by praising his ‘brother.’ The Pumpkins then closed their show with a visceral performance of “Geek USA,” followed by a jovial Corgan greeting fans before he left.
Jimmy Chamberlin’s drumming is the balls of The Smashing Pumpkins, and even with the core of the band (Corgan, Chamberlin, and Schroeder) all being over 40, the Pumpkins are still capable of rocking harder than most bands half their age. I was very hesitant to see the Pumpkins without Chamberlin during his 6 and a half years away (which is why I only saw them once), and this show was further proof that Billy Corgan and Jimmy Chamberlin need to stick together for good this time. With Jeff Schroeder in tow, that trio can make The Smashing Pumpkins a live act to be reckoned with even as they near 30 years into their career.
Overall The End Times show was very enjoyable, and it felt a lot more vital than other tours featuring other 90’s bands touring together. Manson and the Pumpkins seemed to have a big cross section audience (unfortunately full of aging Gen X’ers, Billy is going to need to write his own “American Idiot” to get some ladies besides the cougars coming out) so the audience loved the show. Our reporter Elias told me after the Pumpkins’ set, “That was straight spiritual, and I don’t even like using that word.” Rock ain’t fucking dead.