Rumored Guns N’ Roses South American Tour Dates

Guns N’ Roses are rumored to be touring South America after their North American tour is expected to wrap up in September, with the following cities expected in October to December.

Colombia (1 show)
Brasil (6 shows)
Argentina (2 shows)
Chile (1 show)

Guns N’ Roses’ classic “Welcome to the Jungle” was featured in a new Taco Bell commercial last night. Taco Bell wrote, “Bigger than drones? Man buns? Those weird hoverboard things you see people riding all over the place? With delicious, melty pepper jack cheese inside the shell, the Quesalupa might just be bigger than everything.”

https://www.youtube.com/watch?v=cGZbHYSrR60

This ties in to Axl Rose’s tweeted on January 1st proclaiming that he loved Taco Bell. “The only thing I know “confirmed” is my LOVE of Taco Bell! Mmmmm…. Taco Bell!! Happy New Years!!”

Guns N’ Roses continue to stir and increases the frenzy of their fans to announce a date more in North America with the addition of a concert at the forum sol de Mexico city scheduled for 19 April 2016. The Pre-sale Banamex begins at 11 am on 8 February and ends on 9 February at 10 pm. The General sale will begin on Wednesday, 10 February at 11 am through the system Ticketmaster at www.ticketmaster.com.mx. members of Nightrain, the official fan club of Guns N’ Roses will be notified in advance in order to have the opportunity Buy tickets at a special pre-sale.

Guns N’ Roses members Axl Rose, Slash, and Duff McKagan have released a statement mocking people like Aerosmith frontman Steven Tyler, Limp Bizkit frontman Fred Durst, and Andrew Dice Clay for taking credit for their reunion.

“Guns N’ Roses would like to respectfully thank the many people taking credit for our upcoming shows and everything in between. Especially those whom we haven’t spoken to in numerous years who, through the power of media, have somehow served a pivotal, even if non-existent role. We, and the fans thank you! #GnFnR.”

Aerosmith frontman Steven Tyler discussed Guns N’ Roses’ reunion on The Howard Stern show recently. When asked if he was responsible for the reunion, he had the following quotes:

“I’m sure I’m not solely.”

“I ran into Axl [Rose] at a club a year or two ago and told him he’s crazy, we all miss them, and he needs to get the band back together.”

“If they didn’t get back together soon they would have missed their window and no one would have cared in 3 or 4 years.”

“People love Axl with the original band, they love him on his own but they want to see him with the original guys.”

“I said the same things to Axl that everyone said to me when me and Joe Perry were fighting.”

“Guns N Roses music was part of the fabric of all people.”

When asked about the animosity in GNR:

“I get the whole thing, I can’t talk about it. But they’re talking and they got an offer. I hope Axl can see the greater picture and not be mad at Duff and Slash.”

Howard asked if the beef was similar to the riff that tore apart Aerosmith, asked jokingly if one of the band members slept with another ones wife or something?

Steven said it was deeper then that. But the world needs to hear their music and they’re talking to each other again.

Stone Temple Pilots Rip Singer For Revealing He Turned Them Down: ‘It Shows You What Kind Of Man He Is’

When Scott Weiland revealed to Alternative Nation in November prior to his death that Chester Bennington had quit Stone Temple Pilots, Highly Suspect singer Johnny Stevens revealed at the time that Dean DeLeo had called him and asked him to join STP. Just a day after Weiland’s announcement and Stevens’ revelation, STP confirmed that Bennington had left the band.

During an interview with WRIF earlier this week, Dean DeLeo had some harsh words for Johnny Stevens for breaking the ‘confidentiality’ of their ‘man to man’ conversation.

“I did reach out to John, when was that? Last August, I reached out to John, and ummm…yeah, the way John tells it is not actually what went down. I did reach out to John. We spoke, and I think John is an immense talent. Great, great singer. But I did not offer him a gig. I merely asked if he was interested in possibly getting in a room, and God bless him, he stuck to his guns, and he had the courage and the confidence to stick with his band, and you know, those guys are up for a couple of Grammys.”

He added, “One thing that really saddened me about that is it was very early on. It was all the way back in August, when I spoke to John, man to man. You know, I don’t use that term loosely. Man to man I asked for his confidentiality in this, and well, it shows you what kind of man he is.”

The DJ then said Highly Suspect is a great band. There was an awkward silence, and Dean annoyingly said, “Yeah.”

Deep Cuts: Walking With Giants’ Gary Noon Shares Incredible Story Of Teaming With Sevendust & Alter Bridge

Think of two of your favorite bands. Let’s say by chance, you have a mutual friend with one of the members of those bands. You casually end up getting a chance to meet that member at a local show. You really hit it off as you are a capable musician yourself. Your conversation ends by suggesting that someday you jam together. Then it happens. Then you write songs together. Then members from the second band you love just as much are invited into the jam sessions as they too have a connection. Seem like a dream? Welcome to the world of Gary Noon.

That all happened. Noon, an avid Sevendust and Alter Bridge fan, had a mutual connection with Sevendust guitar player Clint Lowery. He also loved the band Alter Bridge and was even thinking about starting a cover band. Until he met Lowery and discovered the Alter Bridge and Sevendust camps are pretty friendly. You now know the rest. Walking with Giants was formed with Noon running point.

Three weeks ago Walking with Giants released their first record – Worlds Unknown. After two years of collaborative sessions that included Alter Bridge bassist Brian Marshall, Alter Bridge drummer Scott Philips, Sevendust guitar player Clint Lowery and Noon taking on the vocals and rhythm guitar, their music was presented to the masses via their own label. The band previewed material through a series of behind the scenes, making the record series they put out via Youtube and their website. Sevendust drummer Morgan Rose, replaced Philips due to scheduling issues and Noon plans to hit the road later this year.

Alternative Nation had the chance to catch up with Noon from his hometown of Baltimore just days before the record release.
—————————————————————————————————————–

Friday’s the big day; it must feel a bit surreal after everything that has transpired?
Yes it is. My heart’s beating fast. It’s very cool. It’s surreal and at the same time you think – is it supposed to be like this? I’m really happy. I’m very proud of the record and I hope others dig it too.

Do you have anything special planned for the release?
We’ve got a few things. I’ll be sharing a video that features the studio team as well as Brian and Morgan. They are going to share some of their thoughts on the process and what their experience was working with me. I think people will like that because all of the videos that I’ve done, except for the end video, it’s been more of just my perspective so I think people will really enjoy hearing from those guys.

Talking a step back, it looks like it all began with meeting Clint Lowery. What was that initial meeting like for you?
A buddy of mine who I used to work with, took me to a Sevendust show years ago. I had just started listening to them a few months before and became obsessed their music. We went to the show and it was fantastic. We then get to go back stage because my friend knows Clint and I was scared to death. Clint is this tough looking guy and the band has such an aggressive stage presence. I go back and meet him for the first time and he was such a nice guy. He was a totally cool and polite individual who was very calming to talk to. We figured out we have a lot of the same guitar history. We talked a lot about it and just struck a friendship

What were you doing at the time? Playing in other bands?
I was doing a lot of covers on Youtube. That was really the extent of my musical connection to the world. I did a cover for “Better Place” and for “Cold Day Memory.” It turned out really cool so I got the courage to keep going. But that was really it.

Was it that initial conversation with Lowery where you discuss the idea of writing together someday?
Yeah, I let him hear some of the things I had recorded in Garage Band and showed him some of my covers. I said to him, “Maybe one of these days we can do some stuff together. That would be cool, I love your music, you are totally awesome on guitar.” You know, just being a total pain in the ass (laughs). But Clint said, “Yeah man that would be great, I like your stuff.” He wasn’t just being polite. He spoke specifically of the guitar technique I showed him. He knew exactly what I was doing. So he was being 100% authentic and real. That’s basically how it all started, just goofing round and one thing led to another and here we are.

Did you write all the songs on the debut record?
I was the core songwriter, but it’s a collaborative effort between Clint and myself. We co-wrote the whole record. He brought two songs of his in immediately. He gave me the pro tools project and then when we got into the studio it morphed into my flavor. Brian and Morgan added their own thing to each track. They would ask me, “is this good, is it cool?” I would just tell them to go with their instinct. So we would all collaborate, but it was mainly Clint and I.

How did the transition go from Scott Phillips (Alter Bridge) on drums to Morgan Rose (Sevendust)? Was that due to schedule conflicts?
Yeah, it was all scheduling. Flip had some other commitment. We tried to make it work and it just didn’t so Clint reached out to Morgan and he then joined us. It was cool. Flip is a fantastic drummer and so is Morgan, so to be able to work with these two different guys was fantastic.

The record is out on your own label. What was the process of making that happen?
It’s pretty much Gary Noon. Walking with Giants is basically me and I had these other great guys that partnered with me. We don’t have a record label attached to that just yet, so it’s pretty much just me putting it out on my own. Write the stuff, record the stuff, pack and ship the stuff, it’s all me. At some point down the road if I am lucky enough to have a label with me, that’s cool, but for now I want people to know it’s me.

The record sounds great; it has a unique feel blending the two groups with your own style. What really grabbed me was the “Worlds Unknown” beginning and ending, especially the piano melody in there. It was a nice segway in and then roll the credits out.
That’s awesome. I’m glad you liked it. That idea to bookend was something I got from Ben Burnley from Breaking Benjamin. When their new record came out this past year – Dark Before Dawn, I noticed that. I had about seven tunes ready and thought – man, we should do something like that. That’s really where it started. I’m glad it’s well received because I was scared to death about what people were going to think when really the first song is track two and then the record ends with the same melody it starts with.

Do you see any potential collaboration with Myles Kennedy or Lajon Witherspoon as well?
They know about Walking with Giants. I’m not sure if they’ve had a chance to hear it or what they think about it, but it would be awesome to mix with those guys someday in the future. Obviously, I love the combination of guys that I have right now, but who knows maybe I’ll get the chance to ask Mark (Tremonti) and Myles to come in too. They are both so distinctive, they have a particular way of doing things, which may make it end up sounding more like them. I love their stuff, but I want Walking with Giants to sound like me as much as possible.

Given you are such a fan of Alter Bridge and Sevendust and were even contemplating a cover band, what are your favorite songs of theirs?
For Alter Bridge my favorite song is “White Knuckles.” It’s like my theme song. It’s the lyrics that are just always there, it’s just very encouraging. For Sevendust, I have two of them. Their song “Shine,” is one my favorite songs of all time. Every time I hear that song I feel like I can just do anything. “The End is Coming” is the other. That song really moves me. I don’t know what it is. Something about the melody and when the vocals come in, it’s like contemplated a bit and then it just starts kicking ass. It’s really powerful song. I’ve listened to those songs a couple hundred times and I’m still not sick of them.

Is this what you do full-time now? Are you 100% dedicated to this project work wise?
Walking with Giants isn’t fulltime yet. It’s something I would love to do, but we are long way from that right now. I have another career that I’ve been doing for a long time. It’s really tough to be fulltime in the music business in this day and age.

What is your other career?
I’m a trainer and a project manager. It’s something that I love to do and I’m pretty good at. It comes natural, you feel like you can just do anything in that realm. That’s really what my career is like. It’s hard to want to give that up, especially after 15 years.

Do you have any shows lined up?
That’s something I’m working on. The rest of the guys have their own commitments obviously so unless we want to do an all-star show together down the road, it will just be me and a couple of other guys I can bring on the road. I’ve been working with some of the guys in Dear Enemy. We’ve been thinking about rehearsing and doing some shows together. Gogi Randhawa from Dear Enemy is the guy who did the album cover and all the artwork. So it’s going to be me and the dudes I get to work with. That’s important to me because with Walking with Giants, I’m working with these other guys of course and that’s really the purpose of the name, they’re my idols that became my friends, but Walking with Giants is me. I want people to know that.

When you look at Walking with Giants now; thinking back to your first meeting with Lowery and seeing this all unfold, is there a song on the record that speaks to this dream coming true for you?
Yes, the song “Solid Ground.” Through all this process “Solid Ground” has been my anthem of what I would like to be able to say. I feel really grateful and really proud with what we’ve come up with. It’s something I’m really happy with. It’s just what I’m meant to do so I have to keep pushing and pushing until I can do it for a living.

FOLLOW JEFF GORRA ON TWITTER HERE:

Stone Temple Pilots Defend Keeping Name: ‘If This Was Scott’s Band, It’d Have Been Run Into The Ground By 1998’

Stone Temple Pilots’ Dean and Robert DeLeo were interviewed on 105.7 The Point yesterday about their singer search, and Alternative Nation transcribed quotes.

Dean said, “You know in 3 seconds whether this person is worth pursuing or not.”

They also responded to a fan who told them to change their name, since an iconic frontman like Scott Weiland is irreplaceable. Another told them they have the right to keep the name, since it’s 3/4 of the original members still performing Stone Temple Pilots songs.

Robert adamantly defended keeping the name without Weiland, “I kind of look at it this way. There were 3/4 of us that were responsible with Scott, making STP. For instance, you have a company like Coca Cola, and you have someone running Coca Cola. If they’re not there any more, do you change the name of Coca Cola?” Robert added that changing the name at this point in his life didn’t make sense, “It’s easy for someone to say that, and get on their computer, and write that in, but if you’re in that position in life, that’s the last thing I want to do right now.” He added that if he were in his 20’s, we would change his name, but that he now ‘can’t afford to do it.’

Dean said, “I see the point there on both comments, I do, I see the point. It’s interesting, because there’s people that say, ‘That was Scott’s band.’ Well I’m going to tell you something, if this was Scott’s band, it would have been run into the ground by 1998. It would have been over. That’s the way he lived his life. We’re talking about a guy that killed himself, unfortunately, the tragedy of that. Robert, Eric, and I were the guys who managed through thick and thin to keep him together, he relied upon us, we relied upon him. He got farther, and farther away from this world, and there was no coming back man.”

The DeLeos also revealed that Chester Bennington told them he was quitting STP 8 to 9 months ago, and that they planned to have a singer search before Scott Weiland died.

Rumored Guns N’ Roses North American Stadium Tour Dates

The latest Guns N’ Roses rumors on MyGNRForum from Eddie Money indicate that the following GNR 2016 tour dates are in the works.

Dallas – May
San Francisco – May
Foxborough, MA (Gillette Stadium) – Early August
Chicago, IL (Solider Field – 2 shows on July 4th weekend
Toronto – July 16th with option for second show on July 17th

He also recently posted:

“Izzy is in for sure. My source didn’t say anything about Matt Sorum and said that there is still discussion about having Adler be a part of the tour on some level. They didn’t say that Sorum would not be involved though.”

“[Izzy will] not [play] the entire show as far as I know.”

“[Steven] is not rehearsing with them but it doesn’t mean that he’s excluded completely. Honestly, I haven’t heard one way or the other.”

“There’s an oversight management team and then each principal member (Axl, Slash, and Duff) have a representative on a committee, and there is also a forth person to look out for the interests of the unrepresented participants (Richard, Dizzy, and Izzy, Tracy, Roberta, Teddy Zig Zag, etc).”

Guns N’ Roses’ classic “Welcome to the Jungle” was featured in a new Taco Bell commercial on Sunday. Taco Bell wrote, “Bigger than drones? Man buns? Those weird hoverboard things you see people riding all over the place? With delicious, melty pepper jack cheese inside the shell, the Quesalupa might just be bigger than everything.”

https://www.youtube.com/watch?v=cGZbHYSrR60

This ties in to Axl Rose’s tweeted on January 1st proclaiming that he loved Taco Bell. “The only thing I know “confirmed” is my LOVE of Taco Bell! Mmmmm…. Taco Bell!! Happy New Years!!”

Guns N’ Roses continue to stir and increases the frenzy of their fans to announce a date more in North America with the addition of a concert at the forum sol de Mexico city scheduled for 19 April 2016. The Pre-sale Banamex begins at 11 am on 8 February and ends on 9 February at 10 pm. The General sale will begin on Wednesday, 10 February at 11 am through the system Ticketmaster at www.ticketmaster.com.mx. members of Nightrain, the official fan club of Guns N’ Roses will be notified in advance in order to have the opportunity Buy tickets at a special pre-sale.

Guns N’ Roses members Axl Rose, Slash, and Duff McKagan have released a statement mocking people like Aerosmith frontman Steven Tyler, Limp Bizkit frontman Fred Durst, and Andrew Dice Clay for taking credit for their reunion.

“Guns N’ Roses would like to respectfully thank the many people taking credit for our upcoming shows and everything in between. Especially those whom we haven’t spoken to in numerous years who, through the power of media, have somehow served a pivotal, even if non-existent role. We, and the fans thank you! #GnFnR.”

Aerosmith frontman Steven Tyler discussed Guns N’ Roses’ reunion on The Howard Stern show recently. When asked if he was responsible for the reunion, he had the following quotes:

“I’m sure I’m not solely.”

“I ran into Axl [Rose] at a club a year or two ago and told him he’s crazy, we all miss them, and he needs to get the band back together.”

“If they didn’t get back together soon they would have missed their window and no one would have cared in 3 or 4 years.”

“People love Axl with the original band, they love him on his own but they want to see him with the original guys.”

“I said the same things to Axl that everyone said to me when me and Joe Perry were fighting.”

“Guns N Roses music was part of the fabric of all people.”

When asked about the animosity in GNR:

“I get the whole thing, I can’t talk about it. But they’re talking and they got an offer. I hope Axl can see the greater picture and not be mad at Duff and Slash.”

Howard asked if the beef was similar to the riff that tore apart Aerosmith, asked jokingly if one of the band members slept with another ones wife or something?

Steven said it was deeper then that. But the world needs to hear their music and they’re talking to each other again.

Alice In Chains Announce First 2016 Show, Soundgarden Members Attend Black Sabbath Concert

Alice In Chains, Slipknot, Hollywood Vampires, Five Finger Death Punch, Marilyn Manson, Breaking Benjamin, Rise Against Bullet For My Valentine, Skillet, Queensryche, All That Remains, Scott Stapp, and others will perform at Rock Fest in Cadott, Wisconsin on July 14-16, 2016. This is Alice In Chains’ first announced concert of 2016.

rockfest2016

Soundgarden members Kim Thayil and Matt Cameron attended Black Sabbath’s show in Tacoma over the weekend.  Check out a photo of Kim and Matt backstage with Tony Iommi below!

sabbathgarden

Alice In Chains’ publicist informed Alternative Nation a couple of weeks ago that Jerry Cantrell was ‘totally fine’ after an emergency room visit last night. Cantrell underwent a ‘minor outpatient procedure.’

Cantrell was set to perform at ‘Dimebash’, a tribute to Pantera’s Dimebag Darrell, but canceled last minute due to an emergency room visit, with Dave Grohl replacing him. Proceeds from the event were slated to benefit the Ronnie James Dio Stand Up and Shout Cancer Fund.

Robb Flynn of Machine Head told the Lucky Strike Live Crowd the following, according to Blabbermouth: “Jerry Cantrell and I have been rehearsing this song all week. Jerry Cantrell was supposed to be with us. He went to the emergency room, unfortunately, tonight, couldn’t be here. This song’s gonna go out to him. Dave Grohl was nice enough to fill in for him.”

Richard Patrick Talks Make America Hate Again: ‘It’s A F**k You To Trump For Trying To Alienate Brown People’

From achieving commercial success in the mid-late 90’s with platinum selling hit songs “Hey Man, Nice Shot” and “Take A Picture”, Richard Patrick is not shy, yet humble and confident when speaking in preparation of Filter’s 7th studio album release, “Crazy Eyes” on April 8th 2016. Upon my invite to their NYC album listening party, hosted by Matt Pinfield, Patrick discussed the pre-Filter days as guitarist “Piggy” in Nine Inch Nails to his latest role as head record producer as well as a musician’s approach to an ever-changing lineup.

 RichardPatrick

In explaining Patrick’s ‘break-the-rules’ style of writing, recording and producing, our interview would delve even deeper into his detest of modern-day political & mass-media corruption. What he believes Filter fans desire is the essential return to a non-radio friendly, angry-era that earned Filter its initial mainstream rock success. As Filter prepares for their “Make America Hate” Tour with Orgy, Vampires Everywhere & Death Valley High, I was on hand to learn the very latest in the world of Mr. Richard Patrick.

With your 7th full length record set for an April 8th release, what has your mindset been like during the course of the recording process and currently with its completion?

Patrick: “To speak up and stand by my guns the entire time…To stand by my methodology. That’s why I kind of made myself the producer. I worked with a lot of different, amazing people, but I was always like, “Dude, I’m sorry, you’re going to have to trust me, we’ve got to do it this way!”

With your recent statement regarding the musical direction of your upcoming album “Crazy Eyes,” you were quoted in stating, “The reason this record is so fucking heavy and strange is it’s exactly the opposite of what’s popular. It’s not pretty. It’s not cute. It’s real.”

With that being said, what influences you from a creative standpoint to go against the grain, musically speaking?

Patrick: “You just have to follow your own heart. I listen to so many different kinds of music and at the end of the day you want to make a record that you’re super proud of. I’m not a 22- year-old kid with a pretty smile. I don’t want to make it in the music industry like he does. I want to fuckin’ make something that’s artistic and reflective of my thinking or our generation’s thinking. You know, we live in a crazy time. Every other week, there’s a school shooting. There’s always some nutty thing and I’ve always wanted to kind of understand the crazy…When you turn on the news, they don’t say, “Hey, 2 Million kids went to school safely today…40,000 flights took place without incident.” They don’t say that. Crazy Eyes

For me, we’re all comfortable, we’re all happy, hopefully, but at the same time something will happen and you have to kind of understand that phenomenon. You have to understand what’s going on and I’ve always been fascinated by craziness and lunacy. ‘Crazy Eyes’ was just the most logic answer and I know it’s a good title because a lot of people didn’t really get it and I was like, “Well, let me explain.” That’s what I walk away with from this whole experience.”

Filter is set to kick off its forthcoming US tour, “Make America Hate Again,” Featuring Orgy, Vampires Everywhere and Death Valley High. With such a bold tour title to that of “Make America Hate Again,” where do you feel America currently stands in terms of political correctness, from an international standpoint and where are we headed as a country?

Patrick: “It’s kind of like a warning; it’s kind of like the old, extreme right-wing rhetoric that pulled Hitler to power. He found a group of people that he could blame everything on and he had tons of money when he wrote Mein Kampf. When he became chancellor, every person that joined the Nazi party had to get this book and it made him like a super, rich man. I just see Trump as being the next guy. I just see him as being someone that will say anything to get in office. One minute he hates Megyn Kelly, but before that he said she was an amazing moderator.

You kind of have to have a cynical thing sometimes. Like, Al Jourgenson made a record called, “A Mind is A Terrible Thing To Taste”, and as homage to him, it’s kind of like, Industrial has always been linked to heavy, aggressive, hateful music. Especially Trent and all the other guys and it just was like a tongue-in-cheek kind of mockery. It’s a cynical kind of “fuck you” to the “Make America Great Again” Tour, but with Donald Trump. So, with all of the political, cynicism and with all of the shit that he says, it’s just like, OK, we’re just going to go on tour and make fun of you the whole time.

 Filter Tour 2016

I mean it’s not like it’s some anti-Trump rally, it’s just the name of a tour. The last tour name before that was The ‘Anti-Folk Revival Tour in Drop D’. There’s a sense of humor to this band and I always like to tell jokes in a joking fashion. It’s The “Make America Hate Again” Tour because we’re dangerously close. Like I was saying with Hitler, he’s blaming brown people. Doesn’t matter if you come from Mexico, doesn’t matter. They’re not the problem. The problem is that corporations have way too much power in Congress and the government and they’re rigging the system so that they don’t pay taxes, but we do. We pay for all these crazy wars they come up with. So, to me it’s like a call-to-action. Make America hate on crazy right-wing nut bars that want to fuckin’ believe that Jesus told them to invade Iraq. George Bush, ya’ know?

Since we have a new tour on April 13th called The “Make America Hate Again” Tour. It’s kind of a “Fuck You!” to Donald Trump and all his efforts to alienate brown people. Even though he says he wants to help the middle-class, he doesn’t give a flying fuck. He just wants to hire his fuckin’ buddies to build a wall to keep the Mexicans out. “I’ve got a great idea, we’ll make millions. We’ll build a wall to go across the Southern border. It’s so easy to see, so as a joke, we’re just like, “Oh yeah, Make America Hate Again, yeah that’s what we’re doing.”

 PatrickFilter2016

As far as Orgy, Vampires Everywhere & Death Valley High being included on Filter’s upcoming US Spring Tour, are these artists that Filter wanted as part of the tour, a booking agency and record label decision, or a little of both?

Patrick: “We’re of similar ilk age, ya’ know? We’re birds of a feather and we stick together. I think that there hasn’t been a real, kind of heavy industrial tour in a long time and I haven’t chilled out, I’ve gotten meaner, I’ve gotten tougher. I wanted a band that plays heavy music without a bunch of guitars. Even though we love our guitars and we play them as loud as we can, there’s more than Industrial nod to this record. So, I wanted to tour with a band where we could put all our fans in one place and rock out with.”

In Billboard.com’s review of ‘Crazy Eyes,’ they stated the following:
“Crazy Eyes is hardly bereft of guitars but there are a substantial amount of electronics and effects in use. The result features heavy industrial crunch and solemn, ambient songs that reach back to Patrick’s time in Nine Inch Nails and the first Filter album, 1995’s Short Bus.” 

What is your opinion on their summarized depiction of the record?

Patrick: “Trent in 1988 was in a band called “The Exotic Birds” and I was in a band called “The AKT”. We were both really listening to bands like Ministry, With Sympathy, Skinny Puppy and we realized that you could be as mean as shit and you can use keyboards. Most stuff sounded like Kraftwerks or Depeche Mode. Depeche mode was awesome, but they were so specifically Depeche Mode. So, we were worried that we had to be like Information Society or something. When I was in Nine Inch Nails, I jumped on at the end when he recorded “Pretty Hate Machine” and then he released “Broken”. There’s a huge sonic change from those two records and he thanked his live band for being an influence. That credit on that EP was the fact that I was always saying, “We’ve got to fucking make it heavy and mean, man. We’ve got to fucking drop our balls down a little bit and fucking flex our muscles, be mean and fucking make heavy music.

PatrickNIN

I’m not claiming anything, but when you’re hearing that all the time, it was just coming from that point of view of, “Let’s say mean shit, fucking say it, scream and be angry because we were fucking angry. When we started the NIN Tour, we felt we’d never make it. I mean Bon Jovi and all that shit was always going to be there. We hoped it was going to go someplace, but we were downtrodden, pissed off musicians that had been picked on because we didn’t have Marshall amplifiers or something. Eventually we did get some Marshall amplifiers, but we were picked on because we were using synthesizers, samplers, fake drums. We had Simmons pads, we didn’t have real drums. We were all about breaking all those rules.

I miss drunk Ritchie from “Short Bus” screaming at people, “Do it this way, motherfucker!” I miss that guy. It took him to make this record, except that he wasn’t so angry, he just got his way. I worked with Amy Cappello on a bunch of songs. I produced it and co-produced it with a lot of different people and a lot of really great musicians. It was extremely important that I go, “Look, I’m sorry, this is just not going the way I want it to go, so let’s just stop this and start over on something else, let’s create something new. It takes the artist as well as the producer to really have all the final say.

I had to place myself in that position because no matter what was going on in Filter on those first 3 records, I was always getting my way. I was always the guy saying yes or no. To my detriment, in Amalgamut, I think some of the lyrics weren’t good enough and I was at the tail end of my drug problem. I’m not a perfect song writer, but I am song writing problems with dynamics, instrument change and arrangements. When I sang “Head of Fire,” I just kept on going like, “Head of Fire” in the 2nd verse. It just turned into this weird 10-bar extras bar. Normal verses are supposed to be like 8-bars and I just kept going. It went on until like 12- bars and I just kept repeating. I love that. I love not just being traditional.

I love breaking all the rules. In the middle of “Mother Eve,” it breaks down to a cello when he realizes what he’s doing, this person I was trying to understand, I just broke it down and had him sing like he was a little scared kid. I sang like I was this scared kid because I think he realized he was doing some pretty horrible shit. Then he rebuilt his energy and said, “I’ve got my reasons.” Then I’d break down to a cello part. That’s more fun than just, “OK, the intro’s done, let’s do the 1st verse and then we’ll do the chorus.” It just got really redundant on other records. So, for this record, it was just like, “Let’s just do it this way, fuck it. I know it’s not right. I know it’s not the traditional way. Let’s just do something weird” and all of that is why people like it. It’s reflective of that kid who didn’t necessarily know what he was doing, but created something original anyway.”

With so many recent losses in the world of hard rock, what are your thoughts on the recent passing of Stone Temple Pilot’s frontman, Scott Weiland?

Patrick: “I mean it was expected. I’ve been in recovery for a long time and people die every other week. It’s a sad place in America right now where kids are getting hooked on heroin. They go to rehab, then they come back out and then do heroin, overdose and die. That’s why I took to the internet. It was like, “Dude, what the fuck are you doing?” in talking about it in interviews. When I got sober, it was just one voicemail that really, really stuck in my head. It was this old girlfriend going, “You are a fucking loser. You’re fucking blowing it. You’re not getting away with it. You’re a fucking asshole. You’ve treated me like shit. I’ve got one fucking word. Rehab! Go to that fucking shit.”

SW

It was so mean, but it was so like, “Wow, she’s not holding back.” It was so honest that a couple of days later, I was in rehab and that was it. When it comes to Scott, it was not a shock. It wasn’t a surprise and it’s sad because he really was amazing, but he could never just hold onto being OK with himself. He could never self-diagnose himself as a person that was just addicted. There was a week where he was sober and I had seen his last interview. He was completely lucid. He wasn’t stuttering & he wasn’t slow. I think what happened was he went back to his normal amount and killed himself because his heart wasn’t ready for it. Just from observation and from knowing addiction, it looked like he kind of fell apart, went out, did some cocaine and it was just enough to kill him.”

Upon the release of 2006’s Army of Anyone record, considering your prior collaborations with the DeLeo brothers of Stone Temple Pilots & drummer Ray Luzier, what was your experience like working with them and is their potential to create music with them in the future?

Army_of_Anyone_-_Cover_-_2006         Army.Of.Anyone

Patrick: “It was a true band. We’d go into rehearsal hall every other day and play the music. We did the demos kind of like the way I do records, which is just write with a computer and approximate the drums, but then we rehearsed it and were a band. So, it was very much like a band experience. I had never been in a band like that, but it was cool, I love it and maybe one day we’ll do another.”

What is your current opinion on the overall state of the music industry in 2016?

Patrick: “I think Pledge Music is unbelievably fucking cool. You know, you’ve got kids that are willing to put their money where their mouths are. They’re like, “OK, I’ve got the signed CD and it’s not coming out for months. I’ve got the poster.” Then they tune in and they see us making the record and they comment, “Wow, that sounds really cool!” and you start to get a rapport with all these people watching you make this record and you learn from them. They specifically told me, they want “Crazy Rich.” They don’t want fuckin’ together, happy married, adjusted Richard Patrick. They want fuckin’ nuttier! The nuttier that they met on “Short Bus;” they want that young, alcoholic nut bag who says anything he wants. He writes songs about fuckin’ guys that hold press conferences and then blow their heads off. I’m like, “OK, shit, that’s fine.” Then showing it to all the other people, I’m like, “No, we’re not going to make another pretty radio song. We’re going to fucking just go crazy.” That’s the good part!”

In having the privilege to attend Filter’s “Crazy Eyes” album listening party in NYC last week, hosted by Matt Pinfield, how did you feel in response to the positive praise your latest works received by those in attendance?

Patrick: “I was really happy, I mean, I like this record. I listen to this record in the car a lot. This is a record that I’ve listened to a lot ever since it was made. Even though it’s done and I’ve heard every little version of it, I still like to listen to it. It’s fun. You get in your car and you’re just like, “Oh, shit, I want to hear “Nothing In My Hands.” I think the song-writing behind that was really cool. I’m just a proud papa and it’s nice to get that validation from my colleagues in the industry. You get up, you pull your pants down and you’re like, “Here it is!”

In 1993, you departed from NIN & signed with Warner Bros. in 1995 releasing Short Bus with the instant classic hit, ‘Hey Man, Nice Shot.’ At what point in being on the road as a guitarist with NIN, did you feel ready to embark out on your own in writing music on your own terms?

 NINPatrick2

Patrick: “From the moment I was in Nine Inch Nails, I was like, “Man, one of these days, I’m gonna’ do my thing.” Then it just became obvious. I mean it was so geared to support Trent and no one else and maybe if you did all this, maybe you’d get a little credit. And I just believed in myself and knew that I could do it. I quit a band right before the pinnacle of their career and I split to just be my own man. I think that takes a lot of guts, it was really risky, it could have gone south and I just believed in myself and went for it. I’m sitting here talking to you today talking to you about a career that’s lasted 30 years.”

Considering that digital streaming & download services such as iTunes & Spotify have completely reinvented how music is heard and purchased, what are your thoughts regarding physical vs. digital music?

Patrick: “I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital, but you know, CD’s are amazing because you get the artwork, you get to look at the lyrics, you get to look at the behind-the-scenes photos or something. And then of course LP, that’s the ultimate old-school, “Oh, wow, there’s a big, huge picture.” I was a CD baby because the quality was right there. There was no scratching and usually 9-times-out-of-10 it wouldn’t skip. I appreciate CD’s, but I’ve been digital for 10 years.

So, however it gets to you and as long as you’re paying for it because honestly, people have to know that if you didn’t pay for it, you’re not helping the band. You’re enjoying the music for free. You’ve got to fuckin’ pay for the cheeseburger. You can’t just walk into someone’s house and take $15 bucks out of someone’s wallet and then walk out with their song. You can’t do that. You got to know the difference between stealing from being cool to the band and paying them what they’re deserved. Everyone has to make money. Instead of kids buying CD’s, they bought hard drives and just fuckin’ raped everybody. That’s why I love Pledge. I can’t say enough from Pledge Music. I mean it was so reassuring to just get financial reinforcement to go make a record that they liked enough to buy before even hearing it. They had heard bits and pieces online, but they just trusted and believed in us and that was a really great, reassuring thing.”

Fans of the rock community may or may not be aware that you are related to actor Robert Patrick, most notable for his role as the T-1000 in Terminator 2: Judgement Day, among various other roles both on-screen and behind the scenes. Were you both creative and artistically inclined from an early age and did either close friends or family members play a role influencing your career?

richard-robert-patrickPatrick: “Robert and I were just crazy. He was growing up in Michigan then I came around and was growing up in Ohio. He was waiting tables and I was not really doing well at school because I had really bad ADHD. So, he was just like, “Look, let’s fuckin’ go for it. I’m going to go off and be an actor. I believe in myself enough, I just want to go do it. I want to be Steve McQueen, man. And I’m just like, “Hell, if you’re going to do that, I want to fuckin’ play my guitar and I’d rather sing, perform and fuckin’ enjoy it. Yeah man, we should do it!” My parents were like, “Wow! You actually did this shit! He sings and I act, ya’ know. So, hopefully I can act this year and get out behind my normal comfort zone.”

In going public about your struggles with drug & alcohol abuse to your success with sobriety, do you feel Filter has been more artistically expressive as a band, pre or post sobriety?

Patrick: “That’s a hard question. I think that part of my success was the fact that I would literally threaten your life if you got in-between me and what I wanted to do with my music. I was so drunk and in-your-face and so ADHD and so unhinged that I kind of got what I wanted. When you get sober, they teach you to go with-the-flow and treat people with respect. So, you can kind of go overboard and be like, “Fuck what you think! I think we should go into a regular, traditional bridge and we should do the regular, traditional chorus instead of being like, “Fuck it! I want to do this. I hear it in my fuckin’ head. You know? There’s a difference, so. Especially on this record, I had to be like, “What were you doing back in the day? You were just hearing what you wanted to do and knocking the mouse out of someone’s hand and you’d sit at the computer, fuckin’ bang on it and probably erase half the song accidentally, but sit there and actually make it work. I needed to have that anger and that edge and I just kind of made it.”

In terms of song-writing and considering you’re a guitarist, vocalist and self-produced musician, are you geared more towards the digital Pro Tools approach of recording or are you more analog driven?

Patrick: “Pro Tools! I’ve been Pro Tools since 1993. We bought our first gigabyte hard drive, it cost $4,000.00 because our ADAT tapes were eating up the fuckin’ tape and we were like, “Fuck!” You had to wait 5 seconds before you could start recording. You couldn’t just hit a space bar. I remember our computer would crash and we’d have to wait 15-minutes while it was booting up again. And then you’d lose like he mood you’re in and you’re like. “What were we doing?”

PatrickStudio

I want it all right now. Like, take this out right now. Truncate that, fix it, edit this, move this, this amp sucks, go back into the plug-ins. No amplifiers on this record. We use fuckin’ plug-ins. It’s your ears that tell you what’s good or bad. It doesn’t matter how you mic a fuckin’ old 1968 old twin reverb. Who gives a fuck? It’s about getting in there and making it sound good right now, let’s go! “I’m hungry! I want to go get some lunch. Fuckin’ make this perfect, I can’t leave hear until it’s perfectly crazy or fucked up. Yeah, it’s always been just me, a dude and a computer. The first 3-songs I wrote, I was with Lumpy and John Radtke. That was, “Nothing In My Hands,” “Your Bullets” and “Head of Fire.”

What is the basis for how Filter approaches writing music? Has it always been centered around the guitar or do other electronic elements come into play?

Patrick: ”Well, you need something to play notes and chords. So, for me, I just grab a guitar, I just grab a little acoustic guitar I have and think, “Let’s get a cool sound.” Then we’ll mess with that and it will inspire something. There’s never the same road. It’s always, every time it’s always a different road.”

With the commercial success of 1995’s Short Bus record, did you ever have the gut-feeling that “Hey Man, Nice Shot” would inevitably become such a huge hit single?

  Short BusbuddFilterCover

Patrick: “I had no idea. I knew it was really cool to me and I was like, “Fuck, this is something I would listen to.” There’s a lot of shit you come up with where you don’t even want to be in the same room when someone tries to play it. They all sit there and they don’t get it and you’re like, “Ahh fuck, I hate this!” “Hey Man, Nice Shot,” I’d be with my buddies and be like, “Listen to this shit, I can’t believe I did it!” I’m really happy it’s a huge it. That’s what we all want. For me, I just want to touch people’s ears. I want to touch people’s lives. I want to give them something they can release to towards their anger.”

The black wave-like Filter symbol can be found on the cover of both Short Bus and ‘Crazy Eyes.’ If you could elaborate on the meaning behind this symbol?
Patrick: “The Zoom Zoom. One goes right, the other one goes left. It’s a yin yang. An artist came up with it and I just always liked it. I thought it was like the NBC logo or those old logos, TWA. It’s just a cool symbol for the band. We kind of went some other places with it, but then I felt that that logo and symbol were the things I like. I want to make a backdrop that’s just one, big, huge, red backdrop with a white circle and the symbol right in the middle. It’s like full-on propaganda looking thing. My general manager’s like “It’s a Zoom Zoom! It goes Zoom this way and Zooms that way!”

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Infamous Albums: Black Flag’s What The…

After the success of the article on  Black Sabbath’s Born Again, we decided to immediately work on the next installment of Infamous Albums. For this second episode we will be looking at Black Flag’s 2013 album What The…

The brain child of guitarist, Greg Ginn and most known for former vocalist Henry Rollins, Black Flag along with D.R.I, Minor Threat, Bad Brains and many other helped formed the U.S hardcore punk sound. Starting with their second album My War, the band would become more experimental, something that followed the band on every release until their 1986 break up.

Post break up, the members would remain in the music business with Rollins forming Rollin’s Band and Ginn continued in his other projects most notably The Descendants. In 2003 the band played three reunion shows in their home state of California. These shows would include My War being played in its entirety with skateboarder Mike Valley doing guest vocals.  In 2010, to celebrate the 50th birthday of then ex-vocalist, Ron Reyes, Greg Ginn along with Reyes himself, played a set of three Black Flag songs in addition, to a regular set from The Ron Reyes Band. On December 8th, 2011 ex-members, Keith Morris,Chuck Dukowski, Bill Stevenson, and Descendants guitarist Stephen Egerton played the entire Nervous Breakdown EP. This was a surprise appearance during a Vandals/Descendants show. This line up would continue to tour and be known as Flag.  In 2013, Ron Reyes, and Greg Ginn announced wanting to bring Black Flag back. They were joined by newcomers Gregory Moore on drums and Dave Klein on bass. This caused two versions of the same band to exist, neither which featured Henry Rollins. In 2013, Black Flag released their first album since 1985 titled What The… . Neither fans nor critics were impressed as they saw it as nothing but a cash grab. This is the first full length to not feature Henry Rollins and the first release since their second ep, Jealous Again to feature Ron Reyes.

First off the production on this album is really poor. Sure lo-fi production is one of the charms of Black Flag and punk in general, but here it doesn’t work. The rhythm section is impossible to hear and the mixing is extremely sloppy. Ron Reyes’s vocals on here just sound horrible. While he sounded just fine on Jealous Again, here he just sounds like a washed up version of Mark Arm from Mudhoney.  The lyrics are corny especially coming from a band that’s known for thought provoking lyrics. The album art looks very lazy and more fitting for a 90’s Nicktoon. The guitar work is the closest thing to a redeeming quality. The record has many cool leads and Ginn’s trademark shrieking solos are still there, however the riffs on this album are very generic and get boring fast. The drumming is also very generic. These problems are present on every track, making it a chore to get through in one sitting.

The first half of this album tries to be the in your face, aggressive, punk band we all know and love. Sadly Reyes’s bored sounding vocals combined with the lazy riffs fail to create any sort of energy and a Black Flag album without energy is a big fail. The second half of the album is where we start getting more varied. This is very similar to how My War transitioned from fast, experimental hardcore on side A, to a slow and heavy doom metal inspired style on side B. While that album was great and it’s experimentation inspired many others, What The…, found a way to make even it’s experimental side sound stale. The slow and mid tempo parts  sound very mediocre and chances are the listener is already starting to zone out at this part. The album also doesn’t blur together very well at all. If you were to have this on in the background and not pay attention to the lyrics, you would have no idea which track you are on. This record is so poorly structured that you could cut and paste random sections from random tracks and it wouldn’t make much of a difference. This is a huge step down for Black Flag as their later albums, such as Family Man, were full of variety and risk taking.

In conclusion, What The… , is a sloppy, rushed, mess of an album. Not a single track is worth listening to, as they all sound lazy and are near impossible to tell apart. The mixing and songwriting are bottom of the barrel, which is sad since everyone (when you can actually hear them)  in this band is talented. This is nothing more then an effortless cash grab that puts a stain on the band’s amazing past legacy.

Rating: Why the… did I listen to this.

Original Guns N’ Roses Member Rumored To Join Reunion

The latest Guns N’ Roses rumors on MyGNRForum from Eddie Money indicate that Izzy Stradlin will ‘for sure’ be involved in GNR’s reunion in a limited capacity, performing with the band in Las Vegas.

“Izzy is in for sure. My source didn’t say anything about Matt Sorum and said that there is still discussion about having Adler be a part of the tour on some level. They didn’t say that Sorum would not be involved though.”

“[Izzy will] not [play] the entire show as far as I know.”

“[Steven] is not rehearsing with them but it doesn’t mean that he’s excluded completely. Honestly, I haven’t heard one way or the other.”

“There’s an oversight management team and then each principal member (Axl, Slash, and Duff) have a representative on a committee, and there is also a forth person to look out for the interests of the unrepresented participants (Richard, Dizzy, and Izzy, Tracy, Roberta, Teddy Zig Zag, etc).”

Guns N’ Roses’ classic “Welcome to the Jungle” was featured in a new Taco Bell commercial on Sunday. Taco Bell wrote, “Bigger than drones? Man buns? Those weird hoverboard things you see people riding all over the place? With delicious, melty pepper jack cheese inside the shell, the Quesalupa might just be bigger than everything.”

https://www.youtube.com/watch?v=cGZbHYSrR60

This ties in to Axl Rose’s tweeted on January 1st proclaiming that he loved Taco Bell. “The only thing I know “confirmed” is my LOVE of Taco Bell! Mmmmm…. Taco Bell!! Happy New Years!!”

Guns N’ Roses continue to stir and increases the frenzy of their fans to announce a date more in North America with the addition of a concert at the forum sol de Mexico city scheduled for 19 April 2016. The Pre-sale Banamex begins at 11 am on 8 February and ends on 9 February at 10 pm. The General sale will begin on Wednesday, 10 February at 11 am through the system Ticketmaster at www.ticketmaster.com.mx. members of Nightrain, the official fan club of Guns N’ Roses will be notified in advance in order to have the opportunity Buy tickets at a special pre-sale.

Guns N’ Roses members Axl Rose, Slash, and Duff McKagan have released a statement mocking people like Aerosmith frontman Steven Tyler, Limp Bizkit frontman Fred Durst, and Andrew Dice Clay for taking credit for their reunion.

“Guns N’ Roses would like to respectfully thank the many people taking credit for our upcoming shows and everything in between. Especially those whom we haven’t spoken to in numerous years who, through the power of media, have somehow served a pivotal, even if non-existent role. We, and the fans thank you! #GnFnR.”

Aerosmith frontman Steven Tyler discussed Guns N’ Roses’ reunion on The Howard Stern show recently. When asked if he was responsible for the reunion, he had the following quotes:

“I’m sure I’m not solely.”

“I ran into Axl [Rose] at a club a year or two ago and told him he’s crazy, we all miss them, and he needs to get the band back together.”

“If they didn’t get back together soon they would have missed their window and no one would have cared in 3 or 4 years.”

“People love Axl with the original band, they love him on his own but they want to see him with the original guys.”

“I said the same things to Axl that everyone said to me when me and Joe Perry were fighting.”

“Guns N Roses music was part of the fabric of all people.”

When asked about the animosity in GNR:

“I get the whole thing, I can’t talk about it. But they’re talking and they got an offer. I hope Axl can see the greater picture and not be mad at Duff and Slash.”

Howard asked if the beef was similar to the riff that tore apart Aerosmith, asked jokingly if one of the band members slept with another ones wife or something?

Steven said it was deeper then that. But the world needs to hear their music and they’re talking to each other again.

Stone Temple Pilots Talk Singer Search: ‘We Honor Scott Every Night We Play These Songs’

Stone Temple Pilots’ Robert and Dean DeLeo appeared on KLOS yesterday, and Robert discussed Scott Weiland.

“We enjoy still playing these songs. I think when we do play these songs, we honor Scott every night when we play these songs, and will continue to do so. I hope I’m playing these songs until I’m old and grey.”

“From the beginning, he was very very influenced by Jim. I don’t personally listen to our own music a lot, but because of his passing, I went back. I noticed a couple of different influences there that I don’t think people would even realize.

One is Morrison, and on the mellower side, the more ballad side of our music, I hear a lot of Karen Carpenter. He’s got that same inflection that she had. We discussed our love for the Carpenters, and his love for her voice, and that really went back to his choir years. He really had that same inflection that she had, they shared that.”

Dean also discussed the requirement for STP’s next singer, “If they’re as great as Mr. Weiland and Mr. Bennington they have a shot.”

Stone Temple Pilots are currently taking open auditions for lead singer on their website StoneTemplePilots.com. Scott Weiland was fired from Stone Temple Pilots in early 2013, and was replaced by Chester Bennington. Weiland announced that Bennington had left the band in November 2015, and Weiland died in December 2015.

Red Hot Chili Peppers’ Albums Get Ranked Up!

The Red Hot Chili Peppers will be releasing a much anticipated new album in 2016.  However, with their current repertoire they have become one of the most successful and consistent bands in modern rock, so ranking their albums took quite bit of brainstorming. Focusing on the album as a whole and not the quality of the singles of each album was the main approach to this piece. RHCP’s first three albums are similar; a very young band trying to find its way.  However, when Mother’s Milk was released in 1989 the band finally tapped into their potential and the majority of the next six albums made the band one of the biggest, if not the biggest, band in modern rock music.

10. Red Hot Chili Peppers (self-titled) (1983)
The first album from RHCP was very raw and lacked cohesiveness, which would be expected considering the band wasn’t considered a serious project by guitarist Hillel Slovak who backed out of recording the album.  Anthony Kiedis and Flea have mentioned over the years that they prefer the demo versions of most of these songs which were recorded with the original lineup featuring Slovak.  Reaching just below the Billboard top 200, RHCP’s debut included very few highlights, however “Green Heaven” is a fan favorite and “Out In LA” is the first song that RHCP wrote together.
https://youtu.be/42NQHVgw7j0

9. Freaky Styley (1985)
Produced by funk mastermind George Clinton, Freaky Styley had some high points, particularly the comical “Catholic School Girls Rule” but still failed to garner much commercial success.
Bassist Flea had this to say about the album for the 2003 reissue:
“I know the music on this record was just way too obscure to ever be popular in a mainstream kind of way, but to me it really holds its own as a definitive and substantial musical statement. More than any other record we ever made it falls into the category of “too funky for white radio, too punk rockin’ for black.” Of course, the songs were very far away from any pop format; I realize it is/was not just the racial segregation at radio that precluded it from being a popular record.”
https://youtu.be/6RuXFD4cOmM

8. The Uplift MoFo Party Plan (1987)
The Uplift MoFo Party Plan was the last album to feature all four founding members of the band. Guitarist Hillel Slovak would later die of a heroin overdose after the tour in support of the album, and drummer Jack Irons would quit the band being unable to cope with the loss of his friend.  As the RHCP sound continued to sprout, this album was their most successful one up to this point and was actually their first album to enter the Billboard top 200.  Some noteworthy tracks include “Fight Like A Brave”, “Me and my Friends”, and “Behind the Sun”.

7. I’m With You (2011)
The first album since One Hot Minute sans John Frusciante seems to be a band in rebuilding mode with new guitarist Josh Klinghoffer who seemingly does not quite fill the shoes his predecessor left behind.  Many RHCP albums, specifically the ones released after the 1980’s, were very guitar heavy, but the guitar parts took more of a backing role with I’m With You. However, it seems that the talent of Josh Klinghoffer wasn’t the issue; the issue was in the production phase of the album as the recorded guitar parts were greatly turned down.  A fan re-engineered the album and posted the new version on youtube which brings the guitar parts out into the forefront. Many fans believe this change greatly enhanced the quality of the album and truth be told if that version was the one originally released it would have been ranked just below Blood Sugar Sex Magic on this list. However, based on the recording that was released, besides one of the most exceptional ballads the band has ever recorded in “Breaden’s Death Song”, the tracks don’t measure up to any of the singles that RHCP released since before Mother’s Milk. Tracks like “Adventures of Rain Dance Maggie”, “Look Around”, and “Monarchy of Roses” which all could be placed in the same category as “Suck My Kiss”, “Higher Ground”, and “Around the World” would all rank at the bottom of that category.  I’m With You was an album with great potential, but the decision to hide Klinghoffer’s talent greatly degraded the finished product.

https://youtu.be/LKxsvCgNzfc

6. Mothers Milk (1989)
Mothers Milk was the album that RHCP finally polished their unique sound to form something that was widely accepted on MTV and rock radio. The Stevie Wonder cover “Higher Ground” and the second single “Knock Me Down” both received significant air play and became the sound the band would feed off of for years to come. Other great highlights from this album include the Jimmy Hendrix cover “Fire” and the scorcher “Johnny Kick a Hole in the Sky”.
https://youtu.be/xnZuj820zSA

5. Blood Sugar Sex Magik (1991)
Blood Sugar Sex Magik made the Red Hot Chili Peppers a worldwide phenomenon. Hard hitting and funky tracks like “Suck My Kiss” and “Give it Away” are the yin to the yang of two of the best ballads in the RHCP catalog in “Breaking the Girl” and “Under the Bridge”.  This album contained some of the band’s best singles, but as a complete piece wasn’t their best cohesive work.
https://youtu.be/XFkBVcjeCp8

4. One Hot Minute (1995)
The one off album featuring guitarist Dave Navarro in place of John Frusciante is a bit of an enigma. Flea once eluded that Navarro wasn’t a good fit for RHCP, and the band very rarely play a song from this album live. However, as a whole it is just about as great as the rest of their classics. It contains some of the bands more standard alternative rock tracks like “Coffee Shop” and “Warped” and along with the ballad “My Friends” and the fun oddity “Aeroplane” One Hot Minute is surprisingly RHCP’s most well rounded album.
https://youtu.be/Fgdrn_Y0XcE

3. By The Way (2002)
By The Way was critically acclaimed but a bit of a change of pace from the band’s previous releases. However, as solid as it was, the album wasn’t as consistent as Californication or Stadium Arcadium, even though “Can’t Stop” and “By The Way” were great singles. Other highlights include tracks like “Dosed”, “Universally Speaking” and “The Zephyr Song” in which the band strayed away from their norm and the tracks became a favorite among many fans.  Additionally, the track “Throw Away Your Television” may be the best track to come out of the By The Way sessions and has since become a spectacularly performed live staple.
https://youtu.be/zbn0oq0fZEA

2. Californication (1999)
After the release of One Hot Minute, five long years passed and the buzz surrounding RHCP had chilled a bit. There were some drug problems in the band during this hiatus plus the departure of Dave Navarro, however, that departure allowed for the return of John Frusciante, and the fire was restarted after the release of Californication. This album contains everything that makes the Red Hot Chili Peppers great songwriters. Tracks like “Otherside”, “Californication”, and “Scar Tissue” have the same essence that made “Under the Bridge” such a landmark track, and the funky “Around the World” was a throwback to the RHCP standard which helped get the critics back on their side.
https://youtu.be/zw7k8TCcukI?list=PLLu3jA528tg6fNKBTglt3Y4SFG5tduWI4

1. Stadium Arcadium (2006)
I can see it in the comments section already… This guy put which album #1!!!???
John Frusciante’s swan song.. or.. swan album (hardy har har) is, as a complete work, the Red Hot Chili Peppers BEST album.  Stadium Arcadium contains over two hours of great single worthy tracks and it’s difficult to single out a specific track that stands out amongst others because of the album’s consistency, and in all honesty, the singles may be the weakest tracks on the album.  Stadium Arcadium doesn’t have a track that is as epic as “Scar Tissue”, “Give It Away”, or “Under the Bridge” however, from start to finish, it is RHCPs most solid album and may actually be one of the best double albums of all time.

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Richard Patrick On Influencing Nine Inch Nails’ Broken: ‘We’ve Got To Drop Our Balls & Flex Our Muscles’

I recently conducted an interview with Filter frontman Richard Patrick for Alternative Nation at the listening party in New York for Filter’s 7th studio album, Crazy Eyes, set for release on April 8, 2016. We will be publishing the complete interview later this week.

In Billboard’s review of Crazy Eyes, they stated the following: “Crazy Eyes is hardly bereft of guitars but there are a substantial amount of electronics and effects in use. The result features heavy industrial crunch and solemn, ambient songs that reach back to Patrick’s time in Nine Inch Nails and the first Filter album, 1995’s Short Bus.” I asked Patrick about this quote, and he looked back at his early days in Nine Inch Nails.

Patrick: “Trent in 1988 was in a band called “The Exotic Birds” and I was in a band called “The AKT”. We were both really listening to bands like Ministry, With Sympathy, Skinny Puppy and we realized that you could be as mean as shit and you can use keyboards. Most stuff sounded like Kraftwerk or Depeche Mode. Depeche Mode was awesome, but they were so specifically Depeche Mode. So, we were worried that we had to be like Information Society or something. When I was in Nine Inch Nails, I jumped on at the end when he recorded Pretty Hate Machine and then he released Broken. There’s a huge sonic change from those two records and he thanked his live band for being an influence. That credit on that EP was the fact that I was always saying, ‘We’ve got to fucking make it heavy and mean, man. We’ve got to fucking drop our balls down a little bit and fucking flex our muscles, be mean and fucking make heavy music.’

I’m not claiming anything, but when you’re hearing that all the time, it was just coming from that point of view of, ‘Let’s say mean shit, fucking say it, scream and be angry,’ because we were fucking angry. When we started the NIN Tour, we felt we’d never make it. I mean Bon Jovi and all that shit was always going to be there. We hoped it was going to go someplace, but we were downtrodden, pissed off musicians that had been picked on because we didn’t have Marshall amplifiers or something. Eventually we did get some Marshall amplifiers, but we were picked on because we were using synthesizers, samplers, fake drums. We had Simmons pads, we didn’t have real drums. We were all about breaking all those rules.

I miss drunk Ritchie from Short Bus screaming at people, ‘Do it this way, motherfucker!’ I miss that guy. It took him to make this record, except that he wasn’t so angry, he just got his way. I worked with Amy Cappello on a bunch of songs. I produced it and co-produced it with a lot of different people and a lot of really great musicians. It was extremely important that I go, “Look, I’m sorry, this is just not going the way I want it to go, so let’s just stop this and start over on something else, let’s create something new. It takes the artist as well as the producer to really have all the final say.

I had to place myself in that position because no matter what was going on in Filter on those first 3 records, I was always getting my way. I was always the guy saying yes or no. To my detriment, in Amalgamut, I think some of the lyrics weren’t good enough and I was at the tail end of my drug problem. I’m not a perfect song writer, but I am song writing problems with dynamics, instrument change and arrangements. When I sang “Head of Fire,” I just kept on going like, “Head of Fire” in the 2nd verse. It just turned into this weird 10-bar extras bar. Normal verses are supposed to be like 8-bars and I just kept going. It went on until like 12- bars and I just kept repeating. I love that. I love not just being traditional.

I love breaking all the rules. In the middle of “Mother Eve,” it breaks down to a cello when he realizes what he’s doing, this person I was trying to understand, I just broke it down and had him sing like he was a little scared kid. I sang like I was this scared kid because I think he realized he was doing some pretty horrible shit. Then he rebuilt his energy and said, ‘I’ve got my reasons.’ Then I’d break down to a cello part. That’s more fun than just, ‘OK, the intro’s done, let’s do the 1st verse and then we’ll do the chorus.’ It just got really redundant on other records. So, for this record, it was just like, ‘Let’s just do it this way, fuck it. I know it’s not right. I know it’s not the traditional way. Let’s just do something weird’ and all of that is why people like it. It’s reflective of that kid who didn’t necessarily know what he was doing, but created something original anyway.”

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Stone Temple Pilots Talk Scott Weiland: ‘He Didn’t Want To Be Around Us, We Told Him The Truth’

Robert and Dean DeLeo discussed the death of late Stone Temple Pilots frontman Scott Weiland on KROQ’s Kevin and Bean Show this morning. Alternative Nation transcribed some quotes from the interview.

Dean said, “Look man, when somebody keeps going in that direction, and I’m hanging on with hope, and help, and prayer, and doing whatever I can do. I spent over 20 years doing that, and it eventually starts to creep into my own home, my own living room, my own family. It starts to damage me.”

Robert said, “I don’t know if people really understand addiction, and being around that, and not being an addict, and having to live with that on a personal and a business relationship.”

He added, “I think what we did offer Scott over the course of our career was the truth, and honesty. Someone who is that deep in their addiction runs from that, they run from truth and honesty. That’s where he was, we became these guys that he didn’t want to be around because we were telling him like it was.

Kurt Cobain’s Ex-Girlfriend: ‘Courtney Love Threatened To Cut Off My Head & Burn Down My House’

Kurt Cobain’s ex-girlfriend Mary Lou Lord made headlines across the internet last week for her comments on Courtney Love, and she was at it again over the weekend with the following Facebook post:

I should have sued the bitch a long time ago.
But that’s not something that ever would have fixed anything. Maybe
temporarily, but it wasn’t and never will be a thing money can heal.

I never came up to her and said a thing.
She broke my teeth, she cracked my skull and she caused
me years of hell. The physical pain went away, but her words, and
her lies and the impact it left never went away. I honestly feel that
people should know about this.
Here in this photo/interview, she admits it. It was taken off of you tube, but
in this interview, she tells of the night she beat me, chased me, and so forth.

I did watch soaked in bleach, and regardless
of my stance on his death, which, I have no opinion on, it re-ignited an anger
in me that I never thought would be so profound. Anger is bad. I hate it.
But if you think I am saying all this now for any potential gain in anything, I am not.
I could have sued her. I didn’t. I tried to take the high road and move on.
I just tried to make the best music I could, and not let this effect me.
But she carried on attacking me for years, and I was in constant fear. Insane fear.
She threatened me, she also threatened my elderly parents who I was living
with through the many years of my early career. She threatened to burn our house down, and threatened to kill me with a gun, and cut off my head.
I’m not sorry to vent this publicly. That Soaked In Bleach movie just rattled
me so much. And I think people should know. She might be doing better now, but I still feel inside her, she is a rotten person . Money helps, clearly. (To a sociopath like her), and now, She has tons of it. Through law suits that HIS MONEY paid for!!! and the damage that SHE brought upon herself! So, why “wouldn’t” she be doing “better now”?
The movie just triggered so many emotions. How sad and pointless.
His death itself, etc. Just so fucking sad. It also triggered feelings about how
sad Elliott’s passing was as well. If you think this was easy for me, and others who went through this at that time, you’re wrong. I don’t think I’m entirely batshit crazy for talking about this either. I know I will let it go, and I think this is part of the process. It’s gross in a way to talk publicly about it all (i know that), but you, as fans and music lovers, and friends, are part of the fabric that this entire world of the music we make, and love, is woven from. It’s our reality, and our emotions regarding it, should never be denied.

Richard Patrick On Scott Weiland’s Drug Use: ‘He Went Back To His Normal Amount & His Heart Wasn’t Ready’

I recently conducted an interview with Filter frontman Richard Patrick for Alternative Nation at the listening party in New York for Filter’s 7th studio album, Crazy Eyes, set for release on April 8, 2016. We will be publishing this interview in parts as separate news articles, and in this article Patrick discusses what he believes killed late Stone Temple Pilots frontman Scott Weiland, and the future of Army of Anyone, his supergroup with STP’s DeLeo brothers.

With so many recent losses in the world of hard rock, what are your thoughts on the passing of Stone Temple Pilots frontman, Scott Weiland?

I mean it was expected. I’ve been in recovery for a long time and people die every other week. It’s a sad place in America right now where kids are getting hooked on heroin. They go to rehab, then they come back out and then do heroin, overdose and die. That’s why I took to the internet. It was like, “Dude, what the fuck are you doing?” in talking about it in interviews. When I got sober, it was just one voicemail that really, really stuck in my head. It was this old girlfriend going, “You are a fucking loser. You’re fucking blowing it. You’re not getting away with it. You’re a fucking asshole. You’ve treated me like shit. I’ve got one fucking word. Rehab! Go to that fucking shit.

It was so mean, but it was so like, “Wow, she’s not holding back.” It was so honest that a couple of days later, I was in rehab and that was it. When it comes to Scott, it was not a shock. It wasn’t a surprise and it’s sad because he really was amazing, but he could never just hold onto being OK with himself. He could never self-diagnose himself as a person that was just addicted. There was a week where he was sober and I had seen his last interview. He was completely lucid. He wasn’t stuttering & he wasn’t slow. I think what happened was he went back to his normal amount and killed himself because his heart wasn’t ready for it. Just from observation and from knowing addiction, it looked like he kind of fell apart, went out, did some cocaine and it was just enough to kill him.

Upon the release of 2006’s Army of Anyone record, considering your prior collaborations with the DeLeo brothers from Stone Temple Pilots and drummer Ray Luzier, what was your experience like working with them and is their potential to create music with them in the future?

It was a true band. We’d go into rehearsal hall every other day and play the music. We did the demos kind of like the way I do records, which is just write with a computer and approximate the drums, but then we rehearsed it and were a band. So, it was very much like a band experience. I had never been in a band like that, but it was cool, I love it and maybe one day we’ll do another.

Army_of_Anyone_-_Cover_-_2006         Army.Of.Anyone

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Deep Cuts: 311’s Nick Hexum Talks Biggest Charity Win In Empire State Building Run-Up

NixHex1

311 is about a month away from their biggest event of the year – a two day 311 Day extravaganza in New Orleans. The band recently celebrated 25 years as a band releasing their unique boxset Archive. Given 311 Day is an every other year occurrence, this year is bound to be filled with surprises.

Before turning his complete attention to rocking the stage, 311 frontman Nick Hexum is making headlines for his athletic and activism efforts, winning the fastest male and biggest fundraiser in this past Wednesday evenings 2016 Empire State Building Run-Up. In addition to raising over $20,000, Hexum’s winning time was an astonishing 16 minutes, 12 seconds (he set a personal goal of finishing under 20 minutes). The one-fifth of a mile vertically race, benefits the Multiple Myeloma Research Foundation and consists of 86 flights of stairs – which is 1,576 steps for those counting. It’s an organization that hits close to home for Hexum, whose mother is currently battling the disease. On Hexum’s support page he notes that his mother is still enjoying a great quality of life and the treatments have been remarkably successful. The work being done by the MMRF is fast-tracking drugs that are extending lives and improving quality of life for patients.

For those who donated, Hexum is sending out an unreleased song of his as a thank you. A day and half after the race, I checked in with Hexum via email to hear about his experience.

NixHex3
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How are you feeling post-race?
I’m enjoying the afterglow. My hands and forearms are the only thing that sore. It must be from pulling up the handrails every step. The stairs are narrow enough that I could use both sides and take a lot of work off of my legs.

What was your training program like for this?
The most important thing for this was cardio. So, my four full-court basketball games were probably the biggest help. I also worked with a trainer and did interval classes so I guess it all helped.

How long did you train for?
I always stay really active, but really ramped it up in the month leading up to the race.

Have you ever done anything like this before? Marathons, etc?
I have run the LA Marathon twice.

What was the overall experience like for you?
Well, I’m over $20k now and my goal was $10k, so I feel great about that. Winning the trophies for Fastest Male and Biggest Fundraiser in the charity heat was really cool. I had no idea how I was going to do. The best part is knowing that I helped my mom by funding research towards a cure for Multiple Myeloma. She’s my hero. She’s kept a great positive attitude through all of this.

The race was so intense, I’ve never dug so deep. I poured it on from the beginning and when my chest and legs started screaming at me around the 20th floor I wondered if I’d paced myself poorly. I figured just keep cranking and if I collapse, I collapse. As I pushed through the pain I thought of my mom and how the discomfort I was feeling was nothing compared to facing such a serious disease. Her positive attitude and grace through this has been nothing short of inspiring.

I maintained taking two steps at a time the whole way. Pulling myself up on the handrails took a lot of the strain off my legs. I learned some helpful tips from people who had done this before. As the climb progressed I had no idea if I was going fast or slow. My body wanted to rest but my mind said, “Go!” Thanks.
-Nick

NixHex2
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It’s not too late to donate ( plus get the exclusive track) and check out the amazing work the MMRF is doing. See Hexum’s personal page here:

Multiple Myeloma is a blood cancer that affects the plasma cells. Malignant plasma cells accumulate in the bone marrow, crowding out the normal plasma cells that help fight infections and ultimately can result in bone damage, decrease in kidney function and lead to anemia.
The MMRF has raised over $275 million since its inception in 1998. Other accomplishments include; establishing a multi-center tissue bank with more than 4,000 samples, creating the collaborative Multiple Myeloma Research Consortium (MMRC) of 21 world-renowned institutions and launching the groundbreaking CoMMpass℠ Study to collect and analyze multiple tissue samples from 1,000 patients over a multi-year course, so that patients will eventually be matched with the right clinical studies and treatments.

http://www.themmrf.org/

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Billy Corgan Reveals Size Of Marilyn Manson’s Penis

Smashing Pumpkins frontman Billy Corgan recently recorded a funny Facebook video with TNA wrestler Grado at an Impact Wrestling television taping in the United Kingdom.

Grado sarcastically asks Corgan, “I’m sitting here with Billy Corgan of The Smashing Pumpkins, and I’ve got a question that’s been on my mind for quite some time. Billy, what size is Marilyn Manson’s cock?”

Corgan quips back, “Well, it’s bigger than yours.”

Grado says, “You don’t know the size of my cock.”

BillCo deadpans, “No, I’ve seen your cock, it’s a bally half incher.”

Corgan has also been doing live Facebook videos, discussing his new documentary he is filming across about America that he hopes to turn into a series. Last night, Corgan criticized the Super Bowl.

“That was a terrible Super Bowl, I have to say. I mean you got the big Peyton Manning walk off into the sunset win, but what a shnoozo.”

Corgan also spent a lot of time answering fan questions, revealing that he hopes to have long 3 hour Smashing Pumpkins sets next year with Jimmy Chamberlin back in the fold, much like their 2007 Zeitgeist tour. He also revealed that many demos from his solo album TheFutureEmbrace sounded like Siamese Dream.

Guns N’ Roses Featured In New Taco Bell Super Bowl Commercial

Guns N’ Roses’ classic “Welcome to the Jungle” was featured in a new Taco Bell commercial last night. Taco Bell wrote, “Bigger than drones? Man buns? Those weird hoverboard things you see people riding all over the place? With delicious, melty pepper jack cheese inside the shell, the Quesalupa might just be bigger than everything.”

https://www.youtube.com/watch?v=cGZbHYSrR60

This ties in to Axl Rose’s tweeted on January 1st proclaiming that he loved Taco Bell. “The only thing I know “confirmed” is my LOVE of Taco Bell! Mmmmm…. Taco Bell!! Happy New Years!!”

Guns N’ Roses continue to stir and increases the frenzy of their fans to announce a date more in North America with the addition of a concert at the forum sol de Mexico city scheduled for 19 April 2016. The Pre-sale Banamex begins at 11 am on 8 February and ends on 9 February at 10 pm. The General sale will begin on Wednesday, 10 February at 11 am through the system Ticketmaster at www.ticketmaster.com.mx. members of Nightrain, the official fan club of Guns N’ Roses will be notified in advance in order to have the opportunity Buy tickets at a special pre-sale.

Guns N’ Roses members Axl Rose, Slash, and Duff McKagan have released a statement mocking people like Aerosmith frontman Steven Tyler, Limp Bizkit frontman Fred Durst, and Andrew Dice Clay for taking credit for their reunion.

“Guns N’ Roses would like to respectfully thank the many people taking credit for our upcoming shows and everything in between. Especially those whom we haven’t spoken to in numerous years who, through the power of media, have somehow served a pivotal, even if non-existent role. We, and the fans thank you! #GnFnR.”

Aerosmith frontman Steven Tyler discussed Guns N’ Roses’ reunion on The Howard Stern show recently. When asked if he was responsible for the reunion, he had the following quotes:

“I’m sure I’m not solely.”

“I ran into Axl [Rose] at a club a year or two ago and told him he’s crazy, we all miss them, and he needs to get the band back together.”

“If they didn’t get back together soon they would have missed their window and no one would have cared in 3 or 4 years.”

“People love Axl with the original band, they love him on his own but they want to see him with the original guys.”

“I said the same things to Axl that everyone said to me when me and Joe Perry were fighting.”

“Guns N Roses music was part of the fabric of all people.”

When asked about the animosity in GNR:

“I get the whole thing, I can’t talk about it. But they’re talking and they got an offer. I hope Axl can see the greater picture and not be mad at Duff and Slash.”

Howard asked if the beef was similar to the riff that tore apart Aerosmith, asked jokingly if one of the band members slept with another ones wife or something?

Steven said it was deeper then that. But the world needs to hear their music and they’re talking to each other again.

Watch Red Hot Chili Peppers Play “Aeroplane” For First Time Since 1997

Red Hot Chili Peppers performed “Aeroplane” for the first time in nearly 20 years at a Super Bowl pre-show party last night in San Francisco. The last time the Chili Peppers performed the One Hot Minute track was on July 26, 1997 at the Fuji Rock Festival, the band’s final performance with guitarist Dave Navarro. Watch video below, followed by the full setlist!

rhcpsetlist2016

In the late 1990’s, the Red Hot Chili Peppers were on their last leg with Jane’s Addiction guitarist Dave Navarro. After touring the world for One Hot Minute, the band tried writing and recording new material with Navarro. Until now, nothing from those sessions have ever been leaked. In rare interviews and fan communities, a title, “Circle of the Noose” would surface up. Today, it was leaked to the world by rhcptv5 on Twitter, and posted on YouTube. Commenting on the song’s character, a tribute to qawwali devotional singer Nusrat Fateh Ali Khan, Navarro recalled in an AllStar 1997 interview that:

“One of the songs we’ve done is the greatest pop song I’ve ever been a part of…It’s pop in the sense of verse, chorus, verse, chorus, bridge, hook. I really love it and we use a loop of Nusrat Fateh Ali Khan. It’s really nice. The best way I can describe it is it’s like pepped- up ’60s folk with ’90s ideals, but I would hate to label it as folk because it’s not, it moves.”

 

The song is available below, in the rough mix which has circulated in rare collector’s circles for some time. Artwork credited to Leandro Cabo.

https://www.youtube.com/watch?v=tFtyQfoDoxA&feature=youtu.be

This news of course, occurs right as the Chili Peppers are at “home stretch” with finishing their new album:

Anthony Kiedis discussed Red Hot Chili Peppers’ new album last week on Jonesy’s Jukebox.

“We’re in the home stretch. I sang yesterday, I get a week off, I go back to finish.”

He added, “We’re going to back and listen to the songs, and see if we can beat them.”

“We had written two dozen songs before we got with him. [Producer Danger Mouse] is like, ‘Let’s keep a few of those, but let’s go write all new songs in the studio. We’re looking at each other like, ‘Dude, we kind of already wrote the songs, bro.’ He’s like, ‘No, I like to write new ones in the studio.’ So, in honor of accommodating this new process, we wrote all new songs, and it’s a good thing we did.

Below is my interpretation of what the lyrics of “Circle of the Noose” could be:

Inspiration
Mess me up, makes me cry
Come and see me please
Dragonfly, so I don’t die
In a circle
Break my heart
So I can start

All I need
Is for fun and for free
All I need
All I need

I don’t need it!
Don’t need it!
I don’t need it!

Locomotive
Shoot me up
Shoot me down
Devasation boy
Deal me out, steal my joy
Good for nothing
That’s the one
My mother’s son

All I need
Is for fun and for free
All I need
All I need

I don’t need it!
Don’t need it!
I don’t need it!

In the sun
And the sea
I’m for fun
and for free

Dog’s a-laughing
Laughing now
That I’m no-how
Human uniform
I’m so warm, inside this stone

All I need
Is for fun and for free
All I need
All I need

I don’t need it!
Don’t need it!
I don’t need it!

Human uniform

Watch Red Hot Chili Peppers’ Bernie Sanders Show Featuring David Bowie’s “Cracked Actor”

Red Hot Chili Peppers performed at the Ace Hotel in Los Angeles last night for Democrat socialist Presidential candidate Bernie Sanders. The Chili Peppers covered David Bowie’s “Cracked Actor.” Watch video below! Joaquin Phoenix and Juliet Lewis were in attendance at the concert.

Setlist:
Can’t Stop
Factory of Faith
Nobody Weird Like Me
Otherside
Police Helicopter
Around the World
Blood Sugar Sex Magik
Me & My Friends
Snow ((Hey Oh))
Cracked Actor (David Bowie cover)
By the Way
Give It Away

Red Hot Chili Peppers bassist Flea ripped Republican Presidential candidate Donald Trump in a new Rolling Stone interview.

“I can’t take Donald Trump or anything he says seriously,” he says. “I just think that he’s a silly reality-show bozo and blustering guy who likes getting attention. I don’t think he wants to be president, and I don’t think he has a chance to be the president. He’s just some egotistical, silly person whose main concern in life is getting a blowjob. He wants to be on TV and he wants everyone to thinks he’s important.”

For Flea, Trump’s controversial statements on immigration and terrorism are more “silly theatre” than bold provocations. “I don’t think he even believes what he says,” Flea says. “He’s just a product of, if you yell loud enough and bluster around enough, people are going to pay attention to you. He works the media and they love it. I’m hesitant to even discuss it because I just find it all to be really trivial.

He later added, “He’s a real-estate bozo who was born rich and has parlayed it from being a money-scammer guy.”

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